Léo Delibes, New Philharmonia Orchestra, Sir Charles Mackerras made "Sylvia - Suite (2002 - Remaster): Pizzicati" available on 1988. With Sylvia - Suite (2002 - Remaster): Pizzicati being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 21 in Delibes/Messager/Gounod : Ballet Music by Sir Charles Mackerras. Based on our statistics, Sylvia - Suite (2002 - Remaster): Pizzicati's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Sylvia - Suite (2002 - Remaster): Pizzicati by Léo Delibes, New Philharmonia Orchestra, Sir Charles Mackerras is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 5/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carnival of the Animals, R. 125: XIV. Finale | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | F Major | 0 | 7B | 140 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Variations on an Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Royal Philharmonic Orchestra, Norman Del Mar | E♭ Major | 1 | 5B | 76 BPM | ||
Henry VIII: Scherzetto | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 92 BPM | ||
12 Violin Concertos, Op. 8 "Il cimento dell'armonia e dell' invenzione" / Concerto No. 2 in G minor for solo violin, "L'Estate": 3. Presto | Antonio Vivaldi, Hugh Bean, New Philharmonia Orchestra, Leopold Stokowski | C Minor | 1 | 5A | 87 BPM | ||
Capriccio Espagnol, Op. 34: 4. Scena e canto gitano | Nikolai Rimsky-Korsakov, New Philharmonia Orchestra, Leopold Stokowski | B Major | 4 | 1B | 142 BPM | ||
Verdi: Aida, Act 2: "Gloria all'Egitto, ad Iside" (Popolo, Sacerdoti) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | E♭ Major | 3 | 5B | 93 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 112 BPM | ||
Geschichten aus dem Wienerwald (Tales from the Vienna Woods), Op. 325 (RV 325) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | B♭ Major | 1 | 6B | 176 BPM | ||
Méditation | Jules Massenet, Vladimir Spivakov, Sergei Bezrodny | D Major | 2 | 10B | 79 BPM |
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