"Frauenliebe und -leben Op.42: 4. Du Ring an meinem Finger" by Robert Schumann, Anne Sofie von Otter, Bengt Forsberg was released on January 1, 1995. The duration of Frauenliebe und -leben Op.42: 4. Du Ring an meinem Finger is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Frauenliebe und -leben Op.42: 4. Du Ring an meinem Finger's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Schumann: Frauenliebe und -Leben, Op.42; 5 Lieder, Op. 40; Ausgewählte Lieder". In this album, this song's track order is #4. The popularity of Frauenliebe und -leben Op.42: 4. Du Ring an meinem Finger is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Frauenliebe und -leben Op.42: 4. Du Ring an meinem Finger by Robert Schumann, Anne Sofie von Otter, Bengt Forsberg having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giulio Cesare / Act 2: "V'adoro, pupille" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 1 | 12B | 72 BPM | ||
Widmung, Op. 25, No. 1 | Robert Schumann, Jonas Kaufmann, Helmut Deutsch | A♭ Major | 2 | 4B | 150 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Rex tremendae | Hector Berlioz, Michael Schade, Toronto Mendelssohn Choir, Toronto Mendelssohn Youth Choir, Elora Festival Orchestra, Noel Edison | B♭ Major | 0 | 6B | 79 BPM | ||
Dolly Suite, Op. 56: I. Berceuse. Allegretto moderato (Arr. for Cello & Piano) | Gabriel Fauré, Andreas Brantelid, Bengt Forsberg | E Major | 0 | 12B | 95 BPM | ||
Barber - Four songs, op. 13: Sure on this shining night | Samuel Barber, Barbara Bonney, Malcolm Martineau | G Minor | 1 | 6A | 89 BPM | ||
O leggiadri occhi belli | Anonymous, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 73 BPM | ||
Dichterliebe, Op. 48: VIII. Und wüßten's die Blumen, die kleinen | Robert Schumann, Fritz Wunderlich, Hubert Giesen | D Minor | 1 | 7A | 126 BPM | ||
Liebesliederwalzer, Op. 52: Liebesliederwalzer, Op. 52: I. Rede, Mädchen, allzu liebes | Johannes Brahms, Camillo Radicke, Marlis Petersen, Werner Güra, Konrad Jarnot, Christoph Berner, Stella Doufexis | E Major | 2 | 12B | 94 BPM | ||
Havanaise | Pauline Viardot, Cecilia Bartoli, Jean-Yves Thibaudet | C Major | 1 | 8B | 86 BPM | ||
Wandrers Nachtlied II, Op. 96 No. 3, D. 768: Über allen Gipfeln ist Ruh | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | F Major | 0 | 7B | 92 BPM |
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