George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown's 'Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: I. Allegro' came out on January 1, 1988. The duration of Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: I. Allegro is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: I. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Iona Brown's "Handel: Concerto Grosso, Op. 3" album is number 1 out of 22. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: I. Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: I. Allegro by George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in C, Op. 21: 3. Menuetto (Allegro molto e vivace) | Ludwig van Beethoven, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 2 | 8B | 149 BPM | ||
Trumpet Concerto in E flat major: 2. Andante | Johann Nepomuk Hummel, Håkan Hardenberger, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 174 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM | ||
Serenade for Strings in C, Op.48: 1. Pezzo in forma di sonatina: Andante non troppo - Allegro moderato | Pyotr Ilyich Tchaikovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 3 | 8B | 116 BPM | ||
Grieg: 2 Elegiac Melodies, Op. 34: No. 2, Last Spring (Orchestral Version) | Edvard Grieg, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 1 | 9B | 84 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: III. Allegro | Johann Friedrich Fasch, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | A♭ Major | 2 | 4B | 127 BPM | ||
Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Hilary Hahn, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 1 | 8B | 59 BPM | ||
Suite from The Spanish Lady (Ed. Young) | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 2 | 8B | 105 BPM |
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