George Frideric Handel, Dame Joan Sutherland, Cappella Coloniensis, Ferdinand Leitner's 'Alcina, HWV 34 / Act 1: Tornami a vagheggiar - Live' came out on January 1, 1959. With this song being about 5 minutes long, at 4:41, "Alcina, HWV 34 / Act 1: Tornami a vagheggiar - Live" by George Frideric Handel, Dame Joan Sutherland, Cappella Coloniensis, Ferdinand Leitner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Fritz Wunderlich, Dame Joan Sutherland, Jeannette van Dijck, Norma Procter, Capella Coloniensis, Ferdinand Leitner, WDR Rundfunkchor, Bernhard Zimmermann's "Handel: Alcina" album is number 23 out of 62. Based on our statistics, Alcina, HWV 34 / Act 1: Tornami a vagheggiar - Live's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Alcina, HWV 34 / Act 1: Tornami a vagheggiar - Live by George Frideric Handel, Dame Joan Sutherland, Cappella Coloniensis, Ferdinand Leitner to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Si mes vers avaient des ailes | Reynaldo Hahn, Susan Graham | E Major | 0 | 12B | 92 BPM | ||
Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Vittoria, mio core! | Giacomo Carissimi, Cecilia Bartoli, György Fischer | C Major | 1 | 8B | 91 BPM | ||
Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) | Giacomo Puccini, Barbara Hendricks, Francesco Ellero D'Artegna, Gino Quilico, James Conlon, José Carreras, Orchestre National De France, Richard Cowan | A Major | 0 | 11B | 78 BPM | ||
Otello*: 'Fuoco di gioia' | Giuseppe Verdi, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | E♭ Major | 2 | 5B | 170 BPM | ||
Paride ed Elena / Act 1: "O del mio dolce ardor" | Christoph Willibald Gluck, Anne Sofie von Otter, Paul Goodwin, The English Concert, Trevor Pinnock | E Minor | 1 | 9A | 133 BPM | ||
A Chloris | Reynaldo Hahn, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 1 | 12B | 175 BPM | ||
Fedora: Amor ti vieta | Umberto Giordano, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Major | 1 | 11B | 83 BPM | ||
Norma / Act 1: Oh! qual traspare orribile | Vincenzo Bellini, Montserrat Caballé, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Major | 1 | 6B | 134 BPM | ||
Vier Lieder, Op. 27, TrV 170: 4. Morgen | Richard Strauss, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM |
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