Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello)
Giacomo Puccini, Barbara Hendricks, Francesco Ellero D'Artegna, Gino Quilico, James Conlon, José Carreras, Orchestre National De France, Richard Cowan
Puccini : La bohème [Highlights] (Apex)
5:32 February 1, 1988
BPM
78
Key
A Major
Camelot
11B

Embed

Share Link

Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) - Giacomo Puccini, Barbara Hendricks, Francesco Ellero D'Artegna, Gino Quilico, James Conlon, José Carreras, Orchestre National De France, Richard Cowan Information

Acousticness
92%
Danceability
21%
Energy
2%
Instrumentalness
0%
Liveness
9%
Loudness
64%
Speechiness
4%
Valence
4%
Popularity
Loudness
-21.327 dB

Summary

"Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello)" by Giacomo Puccini, Barbara Hendricks, Francesco Ellero D'Artegna, Gino Quilico, James Conlon, José Carreras, Orchestre National De France, Richard Cowan was released on February 1, 1988. Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. There are a total of 17 in the song's album "Puccini : La bohème [Highlights] (Apex)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) BPM

With Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) by Giacomo Puccini, Barbara Hendricks, Francesco Ellero D'Artegna, Gino Quilico, James Conlon, José Carreras, Orchestre National De France, Richard Cowan having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) Key

This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Turandot / Act 1: Turandot / Act 1: "Popoli di Pekino!"Giacomo Puccini, Sabin Markov, Montserrat Caballé, Luciano Pavarotti, Nicolai Ghiaurov, John Alldis Choir, London Philharmonic Orchestra, Zubin MehtaA♭ Major34B134 BPM
L'elisir d'Amor: Una furtiva lagrima by Carlo BergonziL'elisir d'Amor: Una furtiva lagrimaCarlo BergonziF Minor34A63 BPM
Manon Lescaut: Act II: In quelle trine morbide by Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander RahbariManon Lescaut: Act II: In quelle trine morbideGiacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander RahbariD Major010B83 BPM
Wagner: Tannhäuser, Act 3: Wagner: Tannhäuser, Act 3: "Wie Todesahnung … O du, mein holder Abendstern" (Wolfram)Richard Wagner, Dietrich Fischer-Dieskau, Orchester Der Staatsoper Berlin, Franz Konwitschny, Staatsopernorchester BerlinC Minor35A133 BPM
Turandot / Act 1: Figlio, che fai? by Giacomo Puccini, Nicolai Ghiaurov, Luciano Pavarotti, Montserrat Caballé, Pier Francesco Poli, John Alldis Choir, London Philharmonic Orchestra, Zubin MehtaTurandot / Act 1: Figlio, che fai?Giacomo Puccini, Nicolai Ghiaurov, Luciano Pavarotti, Montserrat Caballé, Pier Francesco Poli, John Alldis Choir, London Philharmonic Orchestra, Zubin MehtaB♭ Major46B99 BPM
La belle Hélène / Act 1: La belle Hélène / Act 1: "Au Mont Ida, trois déesses"Jacques Offenbach, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto AbbadoF Major27B88 BPM
Bizet: Carmen, WD 31, Act 1: Bizet: Carmen, WD 31, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus)Georges Bizet, Lorin Maazel, Orchestre National De FranceD Major010B98 BPM
Carmen, WD 31 / Act 2: Carmen, WD 31 / Act 2: "La fleur que tu m'avais jetée"Jonas Kaufmann, Georges Bizet, Prague Philharmonic Orchestra, Marco ArmiliatoD♭ Major23B91 BPM
Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. "Porgi, amor" (Contessa)Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du ConservatoireG Major39B83 BPM
Lungi dal caro bene by Giuseppe Sarti, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias RingborgLungi dal caro beneGiuseppe Sarti, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias RingborgA♭ Major14B96 BPM
ISRC
FRZ208701404
Label
L-M Records/RCA Records

Section: 0.6899628639221191

End: 0.6937041282653809