"Turandot / Act 1: "Popoli di Pekino!"" by Giacomo Puccini, Sabin Markov, Montserrat Caballé, Luciano Pavarotti, Nicolai Ghiaurov, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta was released on January 1, 1973. Turandot / Act 1: "Popoli di Pekino!" is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. There are a total of 19 in the song's album "Puccini: Turandot (Highlights)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Turandot / Act 1: "Popoli di Pekino!"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Turandot / Act 1: "Popoli di Pekino!" by Giacomo Puccini, Sabin Markov, Montserrat Caballé, Luciano Pavarotti, Nicolai Ghiaurov, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade: The voice of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 132 BPM | ||
Norma: Casta diva | Vincenzo Bellini, Carlo Felice Cillario, London Philharmonic Orchestra | D♭ Major | 2 | 3B | 85 BPM | ||
William Tell - Italian version / Act 4: "Tutto cangia, il ciel s'abbella" | Gioachino Rossini, Sherrill Milnes, Elizabeth Connell, Della Jones, Luciano Pavarotti, Nicolai Ghiaurov, Mirella Freni, Ambrosian Opera Chorus, National Philharmonic Orchestra, Riccardo Chailly | D Minor | 2 | 7A | 174 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Alles Vergängliche" | Gustav Mahler, Heather Harper, Lucia Popp, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk, Martti Talvela, Vienna Boys' Choir, Wiener Singverein, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | F Minor | 2 | 4A | 114 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
Sous le ciel de Paris (Arr. Schifrin) - Live | Hubert Yves Adrien Giraud, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine | A Minor | 3 | 8A | 134 BPM | ||
Turandot, SC 91 / Act 3: Nessun dorma | Giacomo Puccini, Freddie De Tommaso, Apollo Voices, Philharmonia Orchestra, Paolo Arrivabeni | D Major | 2 | 10B | 71 BPM | ||
Il barbiere di Siviglia / Act 1: "Una voce poco fa" | Gioachino Rossini, Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer | B Major | 1 | 1B | 78 BPM | ||
Manon Lescaut / Act 1: Donna non vidi mai | Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 3 | 6B | 79 BPM | ||
O del mio amato ben - Voice | Stefano Donaudy, Carlo Bergonzi | A Major | 1 | 11B | 60 BPM |
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