"Norma / Act 1: Oh! qual traspare orribile" by Vincenzo Bellini, Montserrat Caballé, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge was released on November 11, 1987. With Norma / Act 1: Oh! qual traspare orribile being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 43 in Bellini: Norma by Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Montserrat Caballé, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge. Based on our statistics, Norma / Act 1: Oh! qual traspare orribile's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Norma / Act 1: Oh! qual traspare orribile by Vincenzo Bellini, Montserrat Caballé, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turandot | Renata Tebaldi, Erich Leinsdorf, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Major | 0 | 2B | 84 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Deh! proteggimi, o Dio!" | Vincenzo Bellini, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | D♭ Major | 0 | 3B | 95 BPM | ||
De España Vengo - "El Niño Judío" | Pablo Luna, Montserrat Caballé, Eugenio Mario Marco | E Major | 3 | 12B | 141 BPM | ||
La Gioconda / Act 4: "Suicidio! In questi fieri momenti" | Amilcare Ponchielli, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | F♯ Minor | 1 | 11A | 97 BPM | ||
Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM | ||
La-le-lu | Heino Gaze, Montserrat Caballé, Josè Collado | F Major | 1 | 7B | 125 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: Introduzione - "Ite sul colle, o Druidi" | Vincenzo Bellini, Michele Pertusi, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | B Minor | 2 | 10A | 114 BPM | ||
Norma / Act 2: Deh! non volerli vittime | Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | E Minor | 3 | 9A | 135 BPM | ||
Yo Quiero A Un Hombre | Manuel Fernandez Caballero, Montserrat Caballé | A Major | 2 | 11B | 85 BPM | ||
Puccini: La rondine, Act 2: "Bevo al tuo fresco sorriso" (Ruggero, Magda, Lisette, Prunier, Chorus) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM |
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