- BPM
- 129
- Key
- F♯ Minor
- Camelot
- 11A
Andrea Chenier: Act I: Compiacente á colloquii - Umberto Giordano, Sherrill Milnes, James Levine Information
- Acousticness
- 98%
- Danceability
- 29%
- Energy
- 17%
- Instrumentalness
- 3%
- Liveness
- 32%
- Loudness
- 68%
- Speechiness
- 4%
- Valence
- 6%
- Popularity
- 6%
- Loudness
- -19.043 dB
Summary
"Andrea Chenier: Act I: Compiacente á colloquii" by Umberto Giordano, Sherrill Milnes, James Levine was released on 1977. With Andrea Chenier: Act I: Compiacente á colloquii being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Umberto Giordano, James Levine's "Giordano: Andrea Chénier - The Sony Opera House" album is number 2 out of 39. Based on our statistics, Andrea Chenier: Act I: Compiacente á colloquii's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Andrea Chenier: Act I: Compiacente á colloquii BPM
We consider the tempo marking of Andrea Chenier: Act I: Compiacente á colloquii by Umberto Giordano, Sherrill Milnes, James Levine to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Andrea Chenier: Act I: Compiacente á colloquii Key
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Don Giovanni / Act 1: "Fin ch'han dal vino" | Wolfgang Amadeus Mozart, Tom Krause, Vienna Haydn Orchestra, István Kertész | F Major | 6 | 7B | 118 BPM | |
 | Daphnis Et Chloé, M. 57: The Invasion of the Pirates and Daphnis’s Unsuccessful Efforts to Save Chloé | Maurice Ravel, Boston Symphony Orchestra, James Levine | G Major | 0 | 9B | 0 BPM | |
 | Carmen / Act 1: "Monsieur le brigadier?" / Duo:"Parle-moi de ma mère!" | Georges Bizet, Katia Ricciarelli, José Carreras, Jean Barney, Danièle Ajoret, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 81 BPM | |
 | Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | |
 | Francesca da Rimini, Op. 4: Perché volete voi ch'io rinnovi | Riccardo Zandonai, Vida Miknevičiūtė, Jonathan Tetelman, Capella Cracoviensis, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | F Major | 1 | 7B | 169 BPM | |
 | La Boheme, dritter Akt: D'onde lieta Usci | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | |
| La Boheme, erster Akt: Ho pagato il Trimestre | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | A♭ Major | 4 | 4B | 173 BPM | |
 | Eugene Onegin, Op.24, TH.5 / Act 2: Mazurka And Scene. "Messieurs, mesdames, mesta zanyat izvolte" - "Ti ne tantsuyesh, Lenski?" | Pyotr Ilyich Tchaikovsky, Rosemarie Lang, Neil Shicoff, Thomas Allen, Jürgen Hartfiel, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 4 | 9A | 133 BPM | |
 | Il barbiere di Siviglia (The Barber of Seville): Act I No. 1: Introduzione: Piano, pianissimo | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | G Major | 0 | 9B | 104 BPM | |
 | Mefistofele: Act I - La canzone del fischio - Son lo spirito che nega | Arrigo Boito, Riccardo Muti | F Minor | 2 | 4A | 131 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.0555109977722168
End: 1.0589032173156738