Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg's 'Il barbiere di Siviglia (The Barber of Seville): Act I No. 1: Introduzione: Piano, pianissimo' came out on September 10, 1993. The duration of Il barbiere di Siviglia (The Barber of Seville): Act I No. 1: Introduzione: Piano, pianissimo is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Il barbiere di Siviglia (The Barber of Seville): Act I No. 1: Introduzione: Piano, pianissimo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 52 in the song's album "Rossini: Barbiere Di Siviglia (Il)". In this album, this song's track order is #2. In terms of popularity, Il barbiere di Siviglia (The Barber of Seville): Act I No. 1: Introduzione: Piano, pianissimo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il barbiere di Siviglia (The Barber of Seville): Act I No. 1: Introduzione: Piano, pianissimo by Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
"Se tanto in ira agli uomini" from Linda di Chamounix | Ramón Vargas, English Chamber Orchestra, Marcello Viotti | C Major | 1 | 8B | 67 BPM | ||
La Traviata, Act I: Dellínvito trascorsa è già l'ora | Giuseppe Verdi, Lisette Oropesa, René Barbera, Ilseyar Khayrullova, Menna Cazel, Francesco Pittari, Daniel Oren, Dresdner Philharmonie, Sächsischer Staatsopernchor Dresden | A Major | 2 | 11B | 134 BPM | ||
La Cenerentola / Act 1: "No, no, no non v'è" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | B♭ Major | 3 | 6B | 82 BPM | ||
6 Romanze (1838): No. 3. In solitaria stanza | Giuseppe Verdi, Ramón Vargas, Charles Spencer | A♭ Major | 2 | 4B | 113 BPM | ||
Cumbia Borracha | Adolfo Pacheco, Ramón Vargas | C Major | 5 | 8B | 99 BPM | ||
Puccini: Tosca, Act 1: "Ah, quegli occhi!" (Tosca, Cavaradossi) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Victor de Sabata, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 111 BPM | ||
Otello*: 'Fuoco di gioia' | Giuseppe Verdi, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | E♭ Major | 2 | 5B | 170 BPM | ||
Cherubini: Medea, Act 2: "Medea, o Medea!" (Neris) | Luigi Cherubini, Miriam Pirazzini, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Miriam Pirazzini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Minor | 1 | 5A | 85 BPM | ||
Falstaff, Act I: Ma è tempo d'assottigliar l'ingegno | Giuseppe Verdi, Heinz Zednik, Giuseppe Taddei, Federico Davia, Wiener Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 70 BPM | ||
Ah Perfido!, Op. 65: "Ah crudel! tu vuoi ch'io mora!" | Ludwig van Beethoven, Cecilia Bartoli, Kammerorchester Basel, Muhai Tang | E♭ Major | 3 | 5B | 102 BPM |
Section: 1.5089843273162842
End: 1.5124602317810059