"Cherubini: Medea, Act 2: "Medea, o Medea!" (Neris)" by Luigi Cherubini, Miriam Pirazzini, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Miriam Pirazzini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin was released on 1958. With Cherubini: Medea, Act 2: "Medea, o Medea!" (Neris) being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 29 in Cherubini: Medea (1957 - Serafin) - Callas Remastered by Luigi Cherubini, Maria Callas. Cherubini: Medea, Act 2: "Medea, o Medea!" (Neris) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cherubini: Medea, Act 2: "Medea, o Medea!" (Neris) by Luigi Cherubini, Miriam Pirazzini, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Miriam Pirazzini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cherubini: Medea, Act 2: "Medea, o Medea!" (Neris) | Luigi Cherubini, Miriam Pirazzini, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Miriam Pirazzini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Minor | 1 | 5A | 85 BPM | ||
Il barbiere di Siviglia / Act II: No. 19 Finaletto II: "Di sì felice innesto" | Gioachino Rossini, Stefania Malagu, Teresa Berganza, Luigi Alva, Hermann Prey, Enzo Dara, Paolo Montarsolo, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado | G Major | 3 | 9B | 109 BPM | ||
Mozart: Don Giovanni, K. 527, Act 2: "In quali eccessi" - "Mi tradì quell'alma ingrata" (Donna Elvira) | Wolfgang Amadeus Mozart, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | E♭ Major | 1 | 5B | 75 BPM | ||
La Bohème / Act 4: "In un Coupé?....O Mimi, tu piu non torni" | Giacomo Puccini, Ettore Bastianini, Carlo Bergonzi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | C Major | 2 | 8B | 171 BPM | ||
Cherubini: Medea, Act 1: "Pronube dive" (Creonte, Chorus, Glauce, Giasone) | Luigi Cherubini, Giuseppe Modesti, Coro del Teatro alla Scala di Milano, Renata Scotto, Mirto Picchi, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Giuseppe Modesti, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Renata Scotto, Tullio Serafin | F Major | 2 | 7B | 72 BPM | ||
La forza del destino, Act III, Scene III: Pane, pan per carità | Giuseppe Verdi, Anna Maria Chiuri, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Minor | 2 | 5A | 88 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Et tu prétends encore | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Franco Bonisolli, Walton Groenroos | C Minor | 3 | 5A | 84 BPM | ||
Ponchielli: La Gioconda, Act 1: "O grido di quest'anima" (Barnaba, Enzo) | Amilcare Ponchielli, Pier Miranda Ferraro, Piero Cappuccilli, Orchestra del Teatro alla Scala di Milano, Antonino Votto, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano, Pier Miranda Ferraro, Piero Cappuccilli | C Major | 3 | 8B | 138 BPM | ||
Tosca / Act 1: "Tre sbirri... Una carozza... Presto" - Te Deum | Giacomo Puccini, Dietrich Fischer-Dieskau, Piero de Palma, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lorin Maazel | B♭ Major | 3 | 6B | 62 BPM | ||
Un ballo in maschera / Act 1: "Volta la terrea" | Giuseppe Verdi, Sumi Jo, Plácido Domingo, Wolfgang Witte, Wiener Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 100 BPM |
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