German Requiem, Op. 45: Ihr habt nun Traurigkeit - Johannes Brahms, London Symphony Orchestra, Sally Matthews, Valery Gergiev, London Symphony Chorus Information

Acousticness: 98%
Danceability: 13%
Energy: 3%
Instrumentalness: 74%
Liveness: 13%
Loudness: 51%
Speechiness: 4%
Valence: 6%
Popularity: 16%
Loudness: -29.609 dB

Summary

"German Requiem, Op. 45: Ihr habt nun Traurigkeit" by Johannes Brahms, London Symphony Orchestra, Sally Matthews, Valery Gergiev, London Symphony Chorus was released on April 29, 2014. German Requiem, Op. 45: Ihr habt nun Traurigkeit is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. The song is number 5 out of 7 in Brahms: German Requiem, Op. 45 by Johannes Brahms, London Symphony Orchestra, Valery Gergiev, London Symphony Chorus. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, German Requiem, Op. 45: Ihr habt nun Traurigkeit is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

German Requiem, Op. 45: Ihr habt nun Traurigkeit BPM

The tempo marking of German Requiem, Op. 45: Ihr habt nun Traurigkeit by Johannes Brahms, London Symphony Orchestra, Sally Matthews, Valery Gergiev, London Symphony Chorus is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

German Requiem, Op. 45: Ihr habt nun Traurigkeit Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Tristan und Isolde, WWV 90 / Act 3: Mild und leise wie er lächelt (Isoldes Liebestod)	Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis	B Major	2	1B	81 BPM
Symphony No. 41 in C Major, K. 551 "Jupiter": II. Andante cantabile	Wolfgang Amadeus Mozart, London Symphony Orchestra, Claudio Abbado	C Major	3	8B	133 BPM
Symphony No. 1 in E Minor, Op. 39: I. Andante, ma non troppo - Allegro energico	Jean Sibelius, Sir Colin Davis, London Symphony Orchestra	E♭ Minor	1	2A	106 BPM
Daphne, Op. 82, TrV 272: "Ich komme, ich komme"	Richard Strauss, Renée Fleming, London Symphony Orchestra, Sir Georg Solti	E♭ Major	0	5B	135 BPM
Jeux d'enfants, Op. 22: I. March	Georges Bizet, Barry Wordsworth, London Symphony Orchestra	C Major	1	8B	132 BPM
Requiem: XIV. Agnus Dei	Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra	C Major	0	8B	173 BPM
Carmen, WD 31 / Act III: "Si tu m'aimes, Carmen"	Georges Bizet, Sherrill Milnes, Teresa Berganza, Yvonne Kenny, Alicia Nafé, London Symphony Orchestra, Claudio Abbado	D Major	0	10B	98 BPM
Requiem No. 1 in C Minor: Sanctus	Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis	A♭ Major	1	4B	77 BPM
Eine Alpensinfonie: II. Der Anstieg - Eintritt in den Wald	Richard Strauss, Bernard Haitink, London Symphony Orchestra	E♭ Major	0	5B	80 BPM
Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto	Jean Sibelius, London Symphony Orchestra, Sir Colin Davis	E♭ Major	1	5B	72 BPM

ISRC: GBDGQ1324805
Label: L-M Records/RCA Records

Section: 0.6756691932678223

End: 0.6800713539123535