"Tristan und Isolde, WWV 90 / Act 3: Mild und leise wie er lächelt (Isoldes Liebestod)" by Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis was released on July 1, 1976. Since Tristan und Isolde, WWV 90 / Act 3: Mild und leise wie er lächelt (Isoldes Liebestod) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Wesendonk Lieder; Tristan & Isolde: Prelude & Liebestod by Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis. The song's track number on the album is #2 out of 7 tracks. Tristan und Isolde, WWV 90 / Act 3: Mild und leise wie er lächelt (Isoldes Liebestod) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tristan und Isolde, WWV 90 / Act 3: Mild und leise wie er lächelt (Isoldes Liebestod) by Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tristan und Isolde, WWV 90 / Act 3: Mild und leise wie er lächelt (Isoldes Liebestod) being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La boheme: Act I: O soave fanciulla (Rodolfo, Mimi) | Giacomo Puccini, Stanislav Beňačka, Carmen Gonzales, Ladislav Hallon, Richard Novak, Luba Orgonasova, Fabio Previati, Boaz Senator, Jiri Sulzenko, Ivan Urbas, Jonathan Welch, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Will Humburg | A Major | 0 | 11B | 128 BPM | ||
Alyabyev: Solovey | Alexander Alyabyev, Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester | D Minor | 1 | 7A | 88 BPM | ||
Handel: Serse, HWV 40, Act 1: "Frondi tenere... Ombra mai fu" (Xerse) | Philippe Jaroussky | E Major | 1 | 12B | 75 BPM | ||
Verdi: Il trovatore, Act 2: "Vedi! le fosche notturne" (Anvil Chorus) | Giuseppe Verdi, Antonio Pappano, London Symphony Orchestra | C Major | 4 | 8B | 127 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I: Cavatina: Saper bramate (Count Almaviva, Rosina) | Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer | B♭ Major | 1 | 6B | 103 BPM | ||
Wagner: Lohengrin, Act 2: "Euch Löften, die mein Klagen" (Elsa, Ortrud, Frederick) | Richard Wagner, Daniel Barenboim, Deborah Polaski, Emily Magee, Falk Struckmann, Staatskapelle Berlin | E Major | 2 | 12B | 91 BPM | ||
Requiem: XII. Hostias | Giuseppe Verdi, Sir Colin Davis, Stuart Neill, Karen Cargill, London Symphony Orchestra, Christine Brewer, John Relyea | F Major | 0 | 7B | 85 BPM | ||
Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM |
Section: 0.6916723251342773
End: 0.6963441371917725