"Stabat Mater: 1. Stabat Mater dolorosa" by Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Dalmacio Gonzales, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende, Roberto Benaglio was released on January 1, 1982. Since Stabat Mater: 1. Stabat Mater dolorosa is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Rossini: Stabat Mater". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Stabat Mater: 1. Stabat Mater dolorosa is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater: 1. Stabat Mater dolorosa by Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Dalmacio Gonzales, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende, Roberto Benaglio having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act 1: "Si sente meglio?" | Giacomo Puccini, José Carreras, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | D Minor | 0 | 7A | 83 BPM | ||
Dido and Aeneas, Z.626 / Act 3: "Thy Hand Belinda - When I Am Laid In Earth" | Henry Purcell, Catherine Bott, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 83 BPM | ||
L'italiana in Algeri / Act I: Già ci siam. Tanto fa. | Gioachino Rossini, Agnes Baltsa, Enzo Dara, Alessandro Corbelli, Wiener Philharmoniker, Claudio Abbado | A Major | 3 | 11B | 101 BPM | ||
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | B♭ Major | 2 | 6B | 130 BPM | ||
Serse, HWV 40, Act I Scene 1: Aria. Ombra mai fu, "Largo" (Serse) | George Frideric Handel, Ann Murray, Ivor Bolton, Christopher Robson, Patricia Bardon, Umberto Chiummo, Yvonne Kenny, Julie Kaufmann, Jan Zinkler, Chor der Bayerischen Staatsoper, Bavarian State Orchestra | F Major | 1 | 7B | 163 BPM | ||
Turandot / Act 1: Non piangere Liù | Giacomo Puccini, Luciano Pavarotti, Montserrat Caballé, Nicolai Ghiaurov, Tom Krause, Pier Francesco Poli, Piero de Palma, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | E♭ Minor | 4 | 2A | 111 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
Messa da Requiem: VII Requiem aeternam | Cesar Hernandez, Hungarian State Opera Orchestra, Elena Filipova, Hungarian State Opera Chorus, Gloria Scalchi, Carlo Colombara | E Major | 6 | 12B | 115 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
L'incoronazione di Poppea: "Pur ti miro" | Claudio Monteverdi, Pianca Luca, Roberta Invernizzi, Sonia Prina, Ensemble Claudiana | D♭ Minor | 5 | 12A | 83 BPM |
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