Alessandro Scarlatti, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's made "Su le sponde del Tebro - Cantata a voce sola con Violini e Tromba: 3. Sinfonia - Aria - Voice" available on April 21, 1992. The duration of Su le sponde del Tebro - Cantata a voce sola con Violini e Tromba: 3. Sinfonia - Aria - Voice is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Su le sponde del Tebro - Cantata a voce sola con Violini e Tromba: 3. Sinfonia - Aria - Voice's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 23 in Baroque Duet by Wynton Marsalis. In terms of popularity, Su le sponde del Tebro - Cantata a voce sola con Violini e Tromba: 3. Sinfonia - Aria - Voice is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Su le sponde del Tebro - Cantata a voce sola con Violini e Tromba: 3. Sinfonia - Aria - Voice by Alessandro Scarlatti, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 6 in D minor, BWV 851 | Luc Beauséjour | D♭ Minor | 5 | 12A | 125 BPM | ||
Ich hatte viel Bekümmernis, BWV 21: Ich hatte viel Bekummernis, BWV 21: Sinfonia | Johann Sebastian Bach, Il Gardellino | B Minor | 2 | 10A | 65 BPM | ||
Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Minor | 3 | 11A | 121 BPM | ||
Concerto for Three Violins and Strings in D Major, BWV 1064: III. Allegro | Johann Sebastian Bach, Simon Standage, Collegium Musicum 90, Micaela Comberti, Miles Golding | D Major | 2 | 10B | 107 BPM | ||
from 7 Arie con Tromba Sola: 6. Mio tesoro per te moro (Aria in forma di Menuet alla Francese) - Voice | Alessandro Scarlatti, Wynton Marsalis, Kathleen Battle, John Nelson | D Major | 1 | 10B | 133 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM | ||
Sinfonia No. 10 in C Major: IV. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 125 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Symphony in D Major, Op. 2 No. 5 "St. Cecilia's Day Ode": III. Tempo di minuetto | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 152 BPM |
Section: 0.606694221496582
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