Piano Concerto No. 1 in E-Flat Major, S. 124: 2. Quasi adagio - Allegretto vivace - Allegro animato - Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa Information

Acousticness: 93%
Danceability: 23%
Energy: 14%
Instrumentalness: 80%
Liveness: 11%
Loudness: 61%
Speechiness: 5%
Valence: 4%
Popularity: 18%
Loudness: -23.211 dB

Summary

"Piano Concerto No. 1 in E-Flat Major, S. 124: 2. Quasi adagio - Allegretto vivace - Allegro animato" by Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa was released on January 1, 1988. Since Piano Concerto No. 1 in E-Flat Major, S. 124: 2. Quasi adagio - Allegretto vivace - Allegro animato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa's "Liszt: Piano Concertos Nos.1 & 2; Totentanz" album is number 2 out of 8. Piano Concerto No. 1 in E-Flat Major, S. 124: 2. Quasi adagio - Allegretto vivace - Allegro animato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Piano Concerto No. 1 in E-Flat Major, S. 124: 2. Quasi adagio - Allegretto vivace - Allegro animato BPM

We consider the tempo marking of Piano Concerto No. 1 in E-Flat Major, S. 124: 2. Quasi adagio - Allegretto vivace - Allegro animato by Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Piano Concerto No. 1 in E-Flat Major, S. 124: 2. Quasi adagio - Allegretto vivace - Allegro animato Key

B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Piano Concerto No.1 in C major, Op.15: 3. Rondo (Allegro scherzando)	Ludwig van Beethoven, Krystian Zimerman, Wiener Philharmoniker	C Major	2	8B	144 BPM
Piano Concerto No. 2 in B Flat Major, Op. 19: II. Adagio	Ludwig van Beethoven, Krystian Zimerman, London Symphony Orchestra, Sir Simon Rattle	E♭ Major	0	5B	71 BPM
Piano Concerto No. 2 in B-Flat Major, Op. 19: I. Allegro con brio	Ludwig van Beethoven, Krystian Zimerman, Wiener Philharmoniker	B♭ Major	1	6B	74 BPM
Piano Concerto No.2 In B Flat, Op.83: 3. Andante - Più adagio	Johannes Brahms, Krystian Zimerman, Wolfgang Herzer, Wiener Philharmoniker, Leonard Bernstein	B♭ Major	0	6B	80 BPM
Lieder ohne Worte, Op. 67: No. 4 Presto "Spinning Song"	Lang Lang	C Major	4	8B	173 BPM
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio	Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn	A♭ Major	0	4B	95 BPM
8 Études, Op. 42: No. 5 in C-Sharp Minor	Alexander Scriabin, Evgeny Kissin	D♭ Minor	2	12A	132 BPM
Ballade No. 2 in F Major, Op. 38	Frédéric Chopin, Krystian Zimerman	F Major	1	7B	64 BPM
Symphony No. 3 in D Major, Op. 29 "Polish": III. Andante elegiaco	Pyotr Ilyich Tchaikovsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra	G Minor	1	6A	105 BPM
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	A♭ Major	0	4B	94 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 2.51591420173645

End: 2.5200355052948