"El paso de Los Andes" by Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel was released on January 1, 2014. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "The Liberator / Libertador (Original Motion Picture Soundtrack)". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. El paso de Los Andes is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With El paso de Los Andes by Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 1: Veni, creator spiritus | Gustav Mahler, Los Angeles Master Chorale, Pacific Chorale, Los Angeles Philharmonic, Gustavo Dudamel | A♭ Major | 4 | 4B | 65 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
Danzon No.2 - Live From Walt Disney Concert Hall, Los Angeles / 2010 | Arturo Márquez, Los Angeles Philharmonic, Gustavo Dudamel | D Minor | 3 | 7A | 97 BPM | ||
Piano Concerto in G Major, M. 83: 1. Allegramente | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | D Major | 1 | 10B | 129 BPM | ||
Masques et bergamasques Suite, Op. 112: I. Ouverture: Allegro molto vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | F Major | 1 | 7B | 133 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Scherzo for Motorcycle and Orchestra - From "Indiana Jones And The Last Crusade" / Live At Walt Disney Concert Hall, Los Angeles / 2019 | John Williams, Los Angeles Philharmonic, Gustavo Dudamel | A Minor | 5 | 8A | 98 BPM | ||
Grieg: Norwegian Dances, Op. 35: No. 1, Allegro marcato | Edvard Grieg, Estonian National Symphony Orchestra, Paavo Järvi | D Major | 2 | 10B | 129 BPM | ||
Toccata & Fugue in D Minor, BWV 565 | Johann Sebastian Bach, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 2 | 7A | 93 BPM |
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