"Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo (Adagio) - Live" by Sergei Rachmaninoff, Yuja Wang, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel was released on January 1, 2013. Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo (Adagio) - Live appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Rachmaninov: Piano Concerto No.3 In D Minor, Op.30 / Prokofiev: Piano Concerto No.2 In G Minor, Op.16 (Live From Caracas / 2013)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo (Adagio) - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo (Adagio) - Live by Sergei Rachmaninoff, Yuja Wang, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Orfeo ed Euridice, Wq. 30: Melodie dell'Orfeo (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D♭ Minor | 1 | 12A | 80 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso | Robert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener Philharmoniker | D♭ Major | 0 | 3B | 174 BPM | ||
Pelléas et Mélisande, Op.80: 1. Prélude | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 134 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Rhapsody In G Minor, Op.79, No.2 | Johannes Brahms, Radu Lupu | C Major | 1 | 8B | 140 BPM | ||
Kinderszenen, Op. 15: No. 2, Kuriose Geschichte | Robert Schumann, Vladimir Horowitz | D Major | 1 | 10B | 132 BPM | ||
Piano Sonata No. 20 In A Major, D.959: III. Scherzo (Allegro vivace) | Franz Schubert, Krystian Zimerman | D Major | 1 | 10B | 118 BPM |
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