Robert Schumann, Vladimir Horowitz's 'Kinderszenen, Op. 15: No. 2, Kuriose Geschichte' came out on 1962. With Kinderszenen, Op. 15: No. 2, Kuriose Geschichte being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Schumann: Kinderszenen; Arabesque; Fantasie; Träumerei". In this album, this song's track order is #2. Based on our statistics, Kinderszenen, Op. 15: No. 2, Kuriose Geschichte's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Kinderszenen, Op. 15: No. 2, Kuriose Geschichte by Robert Schumann, Vladimir Horowitz having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
VII. July. Song of the Reaper | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | B Major | 0 | 1B | 128 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: III. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Major | 4 | 8B | 150 BPM | ||
6 Favoritwalzer: No. 1, J. 143 | Carl Maria von Weber, Michael Endres | D Major | 1 | 10B | 126 BPM | ||
Schumann: Kinderszenen, Op. 15: XI. Fürchtenmachen | Robert Schumann, Maria João Pires | G Major | 0 | 9B | 166 BPM | ||
Allegro ma non tanto | Sergei Rachmaninoff, Vladimir Horowitz, Fritz Reiner | B♭ Minor | 1 | 3A | 79 BPM | ||
Dolly, Op.56: 6. Le pas Espagnol | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 2 | 7B | 126 BPM | ||
Lyric Pieces Book V, Op. 54: No. 5 Scherzo | Edvard Grieg, Emil Gilels | E Minor | 0 | 9A | 66 BPM | ||
Bist du bei mir (Arr. Hewitt, Formerly Attrib. Bach as BWV 508) | Gottfried Heinrich Stölzel, Angela Hewitt | E♭ Major | 0 | 5B | 64 BPM | ||
Sonatina No. 1, Op. 67: II. Largo | Jean Sibelius, Leif Ove Andsnes | F♯ Minor | 0 | 11A | 112 BPM |
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