Gabriel Fauré, Katia Labèque, Marielle Labèque's 'Dolly, Op.56: 6. Le pas Espagnol' came out on January 1, 2015. The duration of Dolly, Op.56: 6. Le pas Espagnol is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Dolly, Op.56: 6. Le pas Espagnol's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 16 in Fauré: Dolly Suite; Nocturnes; Barcarolles; Impromptus by Gabriel Fauré, Katia Labèque, Marielle Labèque, Pascal Rogé. Based on our statistics, Dolly, Op.56: 6. Le pas Espagnol's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dolly, Op.56: 6. Le pas Espagnol by Gabriel Fauré, Katia Labèque, Marielle Labèque is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Free to X | Raphaël Seguinier, Katia Labèque, David Chalmin, Nicola Tescari | A♭ Major | 7 | 4B | 119 BPM | ||
Papillons, Op.2: No. 11 | Robert Schumann, Nelson Freire | D Major | 1 | 10B | 120 BPM | ||
Rossini: Petite messe solennelle: I. Kyrie (Andante maestoso) | Gioachino Rossini, Lucia Popp, Brigitte Fassbaender, Nicolai Gedda, Dimitri Kavrakos, Katia Labèque, Stephen Cleobury, Marielle Labèque, David Briggs | C Major | 3 | 8B | 83 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Piano Concerto No.2 in G minor, Op.22: 2. Allegro scherzando | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | F Major | 1 | 7B | 111 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 22, R. 190: 1. Andante sostenuto | Camille Saint-Saëns, Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit | G Minor | 1 | 6A | 86 BPM | ||
16 Waltzes, Op. 39: 15. Waltz in A Flat | Johannes Brahms, Nelson Freire | A♭ Major | 0 | 4B | 72 BPM | ||
Fauré: Pleurs d'or, Op. 72 | Albert Samain, Gabriel Fauré, Elly Ameling, Dalton Baldwin, Gérard Souzay | E♭ Major | 1 | 5B | 111 BPM | ||
Symphony No. 1 in D Major "Titan": II. Kraftig bewegt, doch nicht zu schnell | Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz | E♭ Minor | 2 | 2A | 113 BPM | ||
Pictures at an Exhibition: Gnomus. Sempre vivo | Modest Mussorgsky, Ivo Pogorelich | D Minor | 0 | 7A | 63 BPM |
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