"Fauré: Pleurs d'or, Op. 72" by Albert Samain, Gabriel Fauré, Elly Ameling, Dalton Baldwin, Gérard Souzay was released on February 1, 2012. The duration of Fauré: Pleurs d'or, Op. 72 is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Fauré: Pleurs d'or, Op. 72's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Elly Ameling's "Icon: Elly Ameling" album is number 12 out of 196. On top of that, France appears to be the country where this track was created. In terms of popularity, Fauré: Pleurs d'or, Op. 72 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fauré: Pleurs d'or, Op. 72 by Albert Samain, Gabriel Fauré, Elly Ameling, Dalton Baldwin, Gérard Souzay to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zālīts, Pel t,velc miedziiņu | Jānis Zālīts, Elina Garanca, Malcolm Martineau | A♭ Major | 0 | 4B | 81 BPM | ||
Tchut, Tchut, Serie 4, No. 4 | Joseph Canteloube, Patricia Rozario, Sir John Pritchard, Philharmonia Orchestra | A Major | 1 | 11B | 115 BPM | ||
59: Dein Blaues Auge | Johannes Brahms, Riitta Pietarinen, Matti Heroja | A♭ Major | 6 | 4B | 61 BPM | ||
Elijah, Op. 70: "O Thou, Who Makest" (Recitative & Chorus) | Felix Mendelssohn, Simon Keenlyside, William Whitehead, Paul McCreesh, Gabrieli | B♭ Major | 2 | 6B | 72 BPM | ||
Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Choir of King's College, Cambridge, John Carol Case, Sir David Willcocks, New Philharmonia Orchestra | G Major | 1 | 9B | 145 BPM | ||
Stabat Mater, FP 148: X. Fac ut portem | Francis Poulenc, Marianne Croux, Ensemble Aedes, Les Siècles | D♭ Major | 1 | 3B | 175 BPM | ||
Die erwachte Rose, TrV 90 | Richard Strauss, Hanna-Elisabeth Müller, Juliane Ruf | B♭ Major | 0 | 6B | 76 BPM | ||
Haugtussa, Op. 67: V. Elsk | Charlotte Hoather, George Todica | C Major | 2 | 8B | 104 BPM | ||
Stravinsky: Le Rossignol, Act II: Chanson du rossignol. "Ah, joie, emplis mon coeur" | Igor Stravinsky, Sabine Devieilhe, François-Xavier Roth, Les Siècles | A Minor | 0 | 8A | 167 BPM | ||
Bei dir ist es traut | Alma Mahler, Kaleidoscope Chamber Collective, Francesca Chiejina | A♭ Major | 3 | 4B | 69 BPM |
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