Elijah, Op. 70: "O Thou, Who Makest" (Recitative & Chorus)
Felix Mendelssohn, Simon Keenlyside, William Whitehead, Paul McCreesh, Gabrieli
Mendelssohn: Elijah, 1846
3:04 August 27, 2012
BPM
72
Key
B♭ Major
Camelot
6B

Embed

Share Link

Elijah, Op. 70: "O Thou, Who Makest" (Recitative & Chorus) - Felix Mendelssohn, Simon Keenlyside, William Whitehead, Paul McCreesh, Gabrieli Information

Acousticness
96%
Danceability
33%
Energy
20%
Instrumentalness
40%
Liveness
8%
Loudness
69%
Speechiness
4%
Valence
16%
Popularity
Loudness
-18.845 dB

Summary

"Elijah, Op. 70: "O Thou, Who Makest" (Recitative & Chorus)" by Felix Mendelssohn, Simon Keenlyside, William Whitehead, Paul McCreesh, Gabrieli was released on August 27, 2012. The duration of Elijah, Op. 70: "O Thou, Who Makest" (Recitative & Chorus) is about 3 minutes long, at 3:04. Based on our data, "Elijah, Op. 70: "O Thou, Who Makest" (Recitative & Chorus)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Felix Mendelssohn, Paul McCreesh, Gabrieli's "Mendelssohn: Elijah, 1846" album is number 19 out of 47. On top of that, United Kingdom appears to be the country where this track was created. Elijah, Op. 70: "O Thou, Who Makest" (Recitative & Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Elijah, Op. 70: "O Thou, Who Makest" (Recitative & Chorus) BPM

We consider the tempo marking of Elijah, Op. 70: "O Thou, Who Makest" (Recitative & Chorus) by Felix Mendelssohn, Simon Keenlyside, William Whitehead, Paul McCreesh, Gabrieli to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Elijah, Op. 70: "O Thou, Who Makest" (Recitative & Chorus) Key

B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Concerto en ré mineur, BWV 974: II. Adagio by Johann Sebastian Bach, Alexandre TharaudConcerto en ré mineur, BWV 974: II. AdagioJohann Sebastian Bach, Alexandre TharaudD Minor27A85 BPM
Spanish Romance, Op. 74: The Smuggler (Transcr. for Concert Performance by Carl Tausig) by Robert Schumann, Yuja WangSpanish Romance, Op. 74: The Smuggler (Transcr. for Concert Performance by Carl Tausig)Robert Schumann, Yuja WangF♯ Major72B151 BPM
Nocturne No. 9 in E-Flat Major by John Field, Benjamin FrithNocturne No. 9 in E-Flat MajorJohn Field, Benjamin FrithE♭ Major05B56 BPM
6 Pezzi, P. 44: No. 2. Canone by Ottorino Respighi, Konstantin Scherbakov6 Pezzi, P. 44: No. 2. CanoneOttorino Respighi, Konstantin ScherbakovB♭ Major16B83 BPM
Valse Sentimentale, Op. 51, No. 6 (Arr. for Cello and Piano) by Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Kathryn StottValse Sentimentale, Op. 51, No. 6 (Arr. for Cello and Piano)Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Kathryn StottA Minor08A73 BPM
Pelléas et Mélisande, Op.80: 3. Sicilienne by Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville MarrinerPelléas et Mélisande, Op.80: 3. SicilienneGabriel Fauré, Academy of St. Martin in the Fields, Sir Neville MarrinerG Minor06A111 BPM
Carmen Variations by Vladimir HorowitzCarmen VariationsVladimir HorowitzE Major212B148 BPM
Nocturne-serenade, Op. 45 by Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez IzquierdoNocturne-serenade, Op. 45Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez IzquierdoB♭ Major06B108 BPM
Douce rêverie in G Minor by Tekla Bądarzewska-Baranowska, Hiroko IshimotoDouce rêverie in G MinorTekla Bądarzewska-Baranowska, Hiroko IshimotoG Minor16A131 BPM
Adagio in F, H.XVII No.9 by Franz Joseph Haydn, Alfred BrendelAdagio in F, H.XVII No.9Franz Joseph Haydn, Alfred BrendelF Major07B71 BPM
ISRC
GBLLH1230019
Label
L-M Records/RCA Records

Section: 0.930598258972168

End: 0.9349179267883301