- BPM
- 151
- Key
- F♯ Major
- Camelot
- 2B
Spanish Romance, Op. 74: The Smuggler (Transcr. for Concert Performance by Carl Tausig) - Robert Schumann, Yuja Wang Information
- Acousticness
- 91%
- Danceability
- 56%
- Energy
- 68%
- Instrumentalness
- 0%
- Liveness
- 47%
- Loudness
- 85%
- Speechiness
- 91%
- Valence
- 62%
- Popularity
- 10%
- Loudness
- -9.111 dB
Summary
Robert Schumann, Yuja Wang made "Spanish Romance, Op. 74: The Smuggler (Transcr. for Concert Performance by Carl Tausig)" available on September 16, 2022. The duration of Spanish Romance, Op. 74: The Smuggler (Transcr. for Concert Performance by Carl Tausig) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Spanish Romance, Op. 74: The Smuggler (Transcr. for Concert Performance by Carl Tausig)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 206 out of 301 in A Classical Compendium: Schumann by Robert Schumann. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Spanish Romance, Op. 74: The Smuggler (Transcr. for Concert Performance by Carl Tausig)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Spanish Romance, Op. 74: The Smuggler (Transcr. for Concert Performance by Carl Tausig) BPM
The tempo marking of Spanish Romance, Op. 74: The Smuggler (Transcr. for Concert Performance by Carl Tausig) by Robert Schumann, Yuja Wang is Allegro (fast, quick, and bright), since this song has a tempo of 151 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
Spanish Romance, Op. 74: The Smuggler (Transcr. for Concert Performance by Carl Tausig) Key
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Concerto No. 1 In B Flat Minor, Op. 23, TH.55: 2. Andantino semplice - Prestissimo - Tempo I | Pyotr Ilyich Tchaikovsky, Behzod Abduraimov, Orchestra Sinfonica Nazionale Della RAI, Juraj Valcuha | A♭ Major | 0 | 4B | 69 BPM | |
 | Papillons, Op. 2: XII. Finale | Robert Schumann, Boris Giltburg | D Major | 0 | 10B | 129 BPM | |
 | Menuet in G Minor (trans. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Idil Biret | G Minor | 0 | 6A | 73 BPM | |
 | Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | |
 | 3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | |
 | 3 Polkas de salon, Op. 7, JB 1:60: No. 3 in E Major, Allegretto ma non troppo | Bedřich Smetana, Jitka Čechová | E Major | 0 | 12B | 131 BPM | |
 | La mer, L. 109: II. Jeux de vagues | Claude Debussy, Orchestre National De Lyon, Jun Markl | E Major | 1 | 12B | 84 BPM | |
 | Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | |
 | Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | |
 | Myrthen, Op. 25: No. 24 - Du bist wie eine Blume | Robert Schumann, Pablo Ferrandez, Julien Quentin | A♭ Major | 1 | 4B | 109 BPM |
- ISRC
- DEN961800980
- Label
- L-M Records/RCA Records
Section: 0.7680389881134033
End: 0.7711679935455322