"Myrthen, Op. 25: No. 24 - Du bist wie eine Blume" by Robert Schumann, Pablo Ferrandez, Julien Quentin was released on April 12, 2024. With Myrthen, Op. 25: No. 24 - Du bist wie eine Blume being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Pablo Ferrandez's "Myrthen, Op. 25: No. 24 - Du bist wie eine Blume" album is number 1 out of 4. On top of that, United States appears to be the country where this track was created. In terms of popularity, Myrthen, Op. 25: No. 24 - Du bist wie eine Blume is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Myrthen, Op. 25: No. 24 - Du bist wie eine Blume by Robert Schumann, Pablo Ferrandez, Julien Quentin to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 5/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lied ohne Worte, Op. 102: No. 4 in G Minor, MWV U 152 | Felix Mendelssohn, Peter Donohoe | E Major | 0 | 12B | 72 BPM | ||
Sonatina for Violin & Piano, Op. 6: II. Sempre senza vibrato | Heinz Roemheld, Patrick Savage, Martin Cousin | D♭ Major | 1 | 3B | 92 BPM | ||
Schumann: Belsatzar, Op. 57 | Heinrich Heine, Robert Schumann, Ian Bostridge, Julius Drake | C Minor | 1 | 5A | 83 BPM | ||
33 Miniatures for Piano (Excerpts): No. 30, Dolcissimo | Giya Kancheli, Elisaveta Blumina | E Minor | 0 | 9A | 73 BPM | ||
Hexapoda: No. 1, Gut-Bucket Gus | Robert Russell Bennett, Patrick Savage, Martin Cousin | F Major | 1 | 7B | 98 BPM | ||
Estrellita (Arr. Heifetz) | Manuel Ponce, Ray Chen, Julien Quentin | F♯ Major | 1 | 2B | 83 BPM | ||
La dolcezza di una lacrima | Daniela Mastrandrea | D♭ Major | 1 | 3B | 69 BPM | ||
48 Esquisses, Op. 63, Book 4: No. 43, Notturnino – Innamorato | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
Variations on a Theme of Chopin, Op. 22: Var. 14 in C Minor. Moderato | Sergei Rachmaninoff, Piers Lane | C Major | 1 | 8B | 68 BPM | ||
Sylvia, Act III: Divertissement: Pizzicati (Arr. Hough for Piano) | Léo Delibes, Stephen Hough | E♭ Major | 2 | 5B | 104 BPM |
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