"Piano Concerto No. 2 in G Minor, Op. 22, R. 190: 1. Andante sostenuto" by Camille Saint-Saëns, Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit had its release date on January 1, 1981. This song appears to be safe for all ages as it is not explicit. There are a total of 14 in the song's album "Saint-Saëns: Piano Concertos Nos. 1-5". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Piano Concerto No. 2 in G Minor, Op. 22, R. 190: 1. Andante sostenuto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 2 in G Minor, Op. 22, R. 190: 1. Andante sostenuto by Camille Saint-Saëns, Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 13 in A Major, D. 664: I. Allegro moderato | Franz Schubert, Wilhelm Kempff | A Major | 0 | 11B | 104 BPM | ||
Samson et Dalila, Op. 47: Act III: Salut! Salut au juge d'Israel... | Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier | E♭ Major | 2 | 5B | 113 BPM | ||
4 Pieces, Op. 51: 1. Fragilité | Alexander Scriabin, Evgeny Kissin | E♭ Major | 0 | 5B | 69 BPM | ||
Piano Concerto No. 1 in D-Flat Major, Op. 10: I. Allegro brioso | Sergei Prokofiev, Evgeny Kissin, Berliner Philharmoniker, Claudio Abbado | D♭ Major | 1 | 3B | 66 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Piano Concerto No. 2 in A Minor, Op. 85: II. Larghetto | Johann Nepomuk Hummel, Stephen Hough, English Chamber Orchestra, Bryden Thomson | F Major | 1 | 7B | 127 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Le Carnaval des Animaux: Introduction et Marche royale du Lion | Camille Saint-Saëns, Martha Argerich, Nelson Freire, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, Mischa Maisky, Georg Maximilian Hörtnagel | G Major | 1 | 9B | 74 BPM |