"Bist du bei mir (Arr. Hewitt, Formerly Attrib. Bach as BWV 508)" by Gottfried Heinrich Stölzel, Angela Hewitt was released on July 2, 2021. The duration of Bist du bei mir (Arr. Hewitt, Formerly Attrib. Bach as BWV 508) is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Bist du bei mir (Arr. Hewitt, Formerly Attrib. Bach as BWV 508)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Angela Hewitt's "Love Songs - Piano Transcriptions Without Words" album is number 12 out of 23. On top of that, United Kingdom appears to be the country where this track was created. Bist du bei mir (Arr. Hewitt, Formerly Attrib. Bach as BWV 508) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Bist du bei mir (Arr. Hewitt, Formerly Attrib. Bach as BWV 508) by Gottfried Heinrich Stölzel, Angela Hewitt to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
The Seasons, Op. 37a: XII. December. Noël. Tempo di valse | Pyotr Ilyich Tchaikovsky, Pavel Kolesnikov | A♭ Major | 0 | 4B | 74 BPM | ||
Les saisons (The Seasons), Op. 37b: XI. November: Troika | Ilya Rachkovsky | E Major | 0 | 12B | 74 BPM | ||
V. Improvisation | Gabriel Fauré, Lucas Debargue | C Major | 2 | 8B | 83 BPM | ||
Marionnettes, Op. 29 | Anatoly Lyadov, Yoko Kikuchi | E♭ Major | 1 | 5B | 122 BPM | ||
Myrthen, Op. 25: No. 24, Du bist wie eine Blume (Arr. Godowsky) | Robert Schumann, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
24 Preludes, Op. 11: No. 5 in D Major | Alexander Scriabin, Evgeny Zarafiants | F Major | 1 | 7B | 110 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Angela Hewitt | A Major | 3 | 11B | 154 BPM | ||
Etudes-Tableaux, Op. 33, No. 6 in E-Flat Major | Hélène Grimaud | E♭ Major | 2 | 5B | 134 BPM |
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