"24 Preludes, Op. 11: No. 5 in D Major" by Alexander Scriabin, Evgeny Zarafiants was released on February 9, 2000. With 24 Preludes, Op. 11: No. 5 in D Major being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 49 in the song's album "Scriabin: Preludes, Vol. 1". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, 24 Preludes, Op. 11: No. 5 in D Major is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 24 Preludes, Op. 11: No. 5 in D Major by Alexander Scriabin, Evgeny Zarafiants having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Images I, L. 110: 3. Mouvement | Claude Debussy, Seong-Jin Cho | F Major | 1 | 7B | 118 BPM | ||
Piano Sonata No. 17 In D Minor, Op. 31, No. 2 -"The Tempest": 2. Adagio | Ludwig van Beethoven, Daniel Barenboim | B♭ Major | 0 | 6B | 74 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht | Bedřich Smetana, Jitka Čechová | A♭ Minor | 2 | 1A | 76 BPM | ||
Dolly, Op.56: 2. Mi-A-Ou | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 1 | 7B | 71 BPM | ||
8 Gedichte, Op. 10, TrV 141: No. 8, Allerseelen (Arr. Reger) | Richard Strauss, Angela Hewitt | G Major | 2 | 9B | 115 BPM | ||
Piano Sonata No. 31 In A Flat Major, Op. 110: 1. Moderato cantabile molto espressivo | Ludwig van Beethoven, Daniel Barenboim | A♭ Major | 0 | 4B | 167 BPM | ||
Piano Sonata No. 30 In E, Op. 109: 2. Prestissimo | Ludwig van Beethoven, Daniel Barenboim | A Minor | 1 | 8A | 70 BPM | ||
Etude in C-Sharp Minor, Op. 2/1 | Alexander Scriabin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 70 BPM | ||
Nocturnes n°1 en ut majeur | Francis Poulenc, Alexandre Tharaud | C Major | 1 | 8B | 67 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM |
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