Requiem In D Minor, K. 626: Communion: Lux Aeterna
Slovak Philharmonic, Jozef Kundlák, Jaroslava Horska, Peter Mikulas, Stefan Klimo, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart
Mozart: Requiem In D Minor
5:48 April 15, 1989
BPM
89
Key
B♭ Major
Camelot
6B

Embed

Share Link

Requiem In D Minor, K. 626: Communion: Lux Aeterna - Slovak Philharmonic, Jozef Kundlák, Jaroslava Horska, Peter Mikulas, Stefan Klimo, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart Information

Acousticness
97%
Danceability
16%
Energy
17%
Instrumentalness
22%
Liveness
8%
Loudness
65%
Speechiness
3%
Valence
12%
Popularity
Loudness
-20.968 dB

Summary

"Requiem In D Minor, K. 626: Communion: Lux Aeterna" by Slovak Philharmonic, Jozef Kundlák, Jaroslava Horska, Peter Mikulas, Stefan Klimo, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart was released on April 15, 1989. Requiem In D Minor, K. 626: Communion: Lux Aeterna is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The track order of this song in Slovak Philharmonic's "Mozart: Requiem In D Minor" album is number 14 out of 14. Requiem In D Minor, K. 626: Communion: Lux Aeterna is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Requiem In D Minor, K. 626: Communion: Lux Aeterna BPM

We consider the tempo marking of Requiem In D Minor, K. 626: Communion: Lux Aeterna by Slovak Philharmonic, Jozef Kundlák, Jaroslava Horska, Peter Mikulas, Stefan Klimo, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Requiem In D Minor, K. 626: Communion: Lux Aeterna Key

This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Ruslan and Ludmila: Overture by Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny SvetlanovRuslan and Ludmila: OvertureMikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny SvetlanovF Major37B81 BPM
Requiem In D Minor, K. 626: Sanctus by Slovak Philharmonic, Jozef Kundlák, Jaroslava Horska, Peter Mikulas, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Magdaléna Hajóssyová, Wolfgang Amadeus MozartRequiem In D Minor, K. 626: SanctusSlovak Philharmonic, Jozef Kundlák, Jaroslava Horska, Peter Mikulas, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Magdaléna Hajóssyová, Wolfgang Amadeus MozartD Major310B82 BPM
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor by Sergei Rachmaninoff, Sviatoslav Richter10 Preludes, Op. 23: No. 5 Alla marcia in G MinorSergei Rachmaninoff, Sviatoslav RichterE♭ Major05B70 BPM
Offertorium by Gabriel Fauré, Lisa Beckley, Elena Filipova, Magdaléna Hajóssyová, Peter Mikulas, Michel Piquemal, Gloria Scalchi, Michel Piquemal Vocal Ensemble, Hungarian State Opera Chorus, Oxford Schola Cantorum, Slovak Philharmonic Chorus, Hungarian State Opera Orchestra, Orchestre De La Cite, Oxford Camerata, Slovak PhilharmonicOffertoriumGabriel Fauré, Lisa Beckley, Elena Filipova, Magdaléna Hajóssyová, Peter Mikulas, Michel Piquemal, Gloria Scalchi, Michel Piquemal Vocal Ensemble, Hungarian State Opera Chorus, Oxford Schola Cantorum, Slovak Philharmonic Chorus, Hungarian State Opera Orchestra, Orchestre De La Cite, Oxford Camerata, Slovak PhilharmonicD Major010B72 BPM
Requiem, K. 626: I. Introitus - Requiem aeternam by Wolfgang Amadeus Mozart, Sybilla Rubens, La Chapelle Royale, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe HerrewegheRequiem, K. 626: I. Introitus - Requiem aeternamWolfgang Amadeus Mozart, Sybilla Rubens, La Chapelle Royale, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe HerrewegheB Major21B91 BPM
St. Matthew Passion, BWV 244 / Part Two: St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich"Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg SoltiB Minor110A93 BPM
Violin Concerto in C, Hob.VIIa No.1: 2. Adagio by Joseph Haydn, Salvatore Accardo, English Chamber OrchestraViolin Concerto in C, Hob.VIIa No.1: 2. AdagioJoseph Haydn, Salvatore Accardo, English Chamber OrchestraG Major29B142 BPM
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato by Sergei Rachmaninoff, Arthur Rubinstein, Fritz ReinerPiano Concerto No. 2 in C Minor, Op. 18: I. ModeratoSergei Rachmaninoff, Arthur Rubinstein, Fritz ReinerC Minor15A71 BPM
Piano Concerto No. 5 in E-Flat Major Piano Concerto No. 5 in E-Flat Major "Emperor", Op. 73: II. Adagio un poco mossoLibor Pešek, Slovak PhilharmonicB Major11B77 BPM
Ch'io mi scordi di te... Non temer, amato bene, K. 505 - (Varesco): Non temer, amato bene by Wolfgang Amadeus Mozart, Mojca Erdmann, Hélène Grimaud, Chamber Orchestra of the Bavarian Radio, Radoslaw SzulcCh'io mi scordi di te... Non temer, amato bene, K. 505 - (Varesco): Non temer, amato beneWolfgang Amadeus Mozart, Mojca Erdmann, Hélène Grimaud, Chamber Orchestra of the Bavarian Radio, Radoslaw SzulcC Major28B120 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.702401876449585

End: 0.7059159278869629