"Requiem In D Minor, K. 626: Communion: Lux Aeterna" by Slovak Philharmonic, Jozef Kundlák, Jaroslava Horska, Peter Mikulas, Stefan Klimo, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart was released on April 15, 1989. Requiem In D Minor, K. 626: Communion: Lux Aeterna is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The track order of this song in Slovak Philharmonic's "Mozart: Requiem In D Minor" album is number 14 out of 14. Requiem In D Minor, K. 626: Communion: Lux Aeterna is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem In D Minor, K. 626: Communion: Lux Aeterna by Slovak Philharmonic, Jozef Kundlák, Jaroslava Horska, Peter Mikulas, Stefan Klimo, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Requiem In D Minor, K. 626: Sanctus | Slovak Philharmonic, Jozef Kundlák, Jaroslava Horska, Peter Mikulas, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | D Major | 3 | 10B | 82 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | ||
Offertorium | Gabriel Fauré, Lisa Beckley, Elena Filipova, Magdaléna Hajóssyová, Peter Mikulas, Michel Piquemal, Gloria Scalchi, Michel Piquemal Vocal Ensemble, Hungarian State Opera Chorus, Oxford Schola Cantorum, Slovak Philharmonic Chorus, Hungarian State Opera Orchestra, Orchestre De La Cite, Oxford Camerata, Slovak Philharmonic | D Major | 0 | 10B | 72 BPM | ||
Requiem, K. 626: I. Introitus - Requiem aeternam | Wolfgang Amadeus Mozart, Sybilla Rubens, La Chapelle Royale, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | B Major | 2 | 1B | 91 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Violin Concerto in C, Hob.VIIa No.1: 2. Adagio | Joseph Haydn, Salvatore Accardo, English Chamber Orchestra | G Major | 2 | 9B | 142 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
Piano Concerto No. 5 in E-Flat Major "Emperor", Op. 73: II. Adagio un poco mosso | Libor Pešek, Slovak Philharmonic | B Major | 1 | 1B | 77 BPM | ||
Ch'io mi scordi di te... Non temer, amato bene, K. 505 - (Varesco): Non temer, amato bene | Wolfgang Amadeus Mozart, Mojca Erdmann, Hélène Grimaud, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc | C Major | 2 | 8B | 120 BPM |
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