- BPM
- 73
- Key
- A Major
- Camelot
- 11B
Verdi- Messa Da Requiem- 1. Requiem - Original - Sir Georg Solti, Vienna Philharmonic Solti Information
- Acousticness
- 96%
- Danceability
- 7%
- Energy
- 13%
- Instrumentalness
- 1%
- Liveness
- 7%
- Loudness
- 68%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 1%
- Loudness
- -19.453 dB
Summary
"Verdi- Messa Da Requiem- 1. Requiem - Original" by Sir Georg Solti, Vienna Philharmonic Solti was released on June 19, 2020. Since Verdi- Messa Da Requiem- 1. Requiem - Original is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Verdi Requiem by Sir Georg Solti, Vienna Philharmonic Solti. The song's track number on the album is #1 out of 19 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Verdi- Messa Da Requiem- 1. Requiem - Original is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Verdi- Messa Da Requiem- 1. Requiem - Original BPM
Since Verdi- Messa Da Requiem- 1. Requiem - Original by Sir Georg Solti, Vienna Philharmonic Solti has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Verdi- Messa Da Requiem- 1. Requiem - Original being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
Verdi- Messa Da Requiem- 1. Requiem - Original Key
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Eugene Onegin, Op. 24, TH. 5 / Act I: (Scene 3) Servant Girls' Chorus. "Dyevitsi, krasavitsi" | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | |
 | Da Tempeste Il Legno Infranto (Cleopatre, Giulio Cesare) | George Frideric Handel, Maria Bayo, Capriccio Stravagante, Skip Sempé | E♭ Major | 3 | 5B | 129 BPM | |
 | Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: O namenlose Freude! | Ludwig van Beethoven, Nina Stemme, Jonas Kaufmann, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | |
 | Requiem, Op. 48: III. Offertoire | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | D Major | 0 | 10B | 77 BPM | |
 | L´Amico Fritz: Son pochi fiori | Mirella Freni, Munchener Rundfunkorchester, Ino Savini | B♭ Major | 2 | 6B | 63 BPM | |
 | Il barbiere di Siviglia / Act 1: "Una voce poco fa" | Gioachino Rossini, Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer | B Major | 1 | 1B | 78 BPM | |
 | Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | |
 | Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | |
 | Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 1, Zueignung (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | C Major | 2 | 8B | 81 BPM | |
 | Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM |
- ISRC
- GBACC2076201
- Label
- L-M Records/RCA Records
Section: 1.1355042457580566
End: 1.1406497955322266