Prince Igor (Knyaz Igor): Overture
Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar
Borodin: Prince Igor (Highlights) / In the Steppes of Central Asia
10:20 August 1, 2005
BPM
71
Key
G Minor
Camelot
6A

Embed

Share Link

Prince Igor (Knyaz Igor): Overture - Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar Information

Acousticness
96%
Danceability
19%
Energy
15%
Instrumentalness
92%
Liveness
11%
Loudness
70%
Speechiness
4%
Valence
7%
Popularity
Loudness
-17.922 dB

Summary

"Prince Igor (Knyaz Igor): Overture" by Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar was released on August 1, 2005. Prince Igor (Knyaz Igor): Overture appears to be safe for all ages as it is not explicit. The song is number 1 out of 9 in Borodin: Prince Igor (Highlights) / In the Steppes of Central Asia by Alexander Borodin. Prince Igor (Knyaz Igor): Overture is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Prince Igor (Knyaz Igor): Overture BPM

The tempo marking of Prince Igor (Knyaz Igor): Overture by Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Prince Igor (Knyaz Igor): Overture Key

G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Ruslan and Lyudmila, Op. 5, Act IV: No. 18, Lyudmila's Scene and Aria. Vdali ot milogo by Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander VedernikovRuslan and Lyudmila, Op. 5, Act IV: No. 18, Lyudmila's Scene and Aria. Vdali ot milogoMikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander VedernikovA♭ Major04B115 BPM
Sibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto by Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony OrchestraSibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tantoJean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony OrchestraD Major310B108 BPM
Piano Quintet in C Minor: I. Andante by Alexander Borodin, Ilona Prunyi, New Budapest QuartetPiano Quintet in C Minor: I. AndanteAlexander Borodin, Ilona Prunyi, New Budapest QuartetC Minor15A68 BPM
Lohengrin: Prelude by Richard Wagner, Slovak Philharmonic, Michael HalaszLohengrin: PreludeRichard Wagner, Slovak Philharmonic, Michael HalaszA Major011B75 BPM
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto by Gabriel Fauré, Boston Symphony Orchestra, Seiji OzawaPelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi AllegrettoGabriel Fauré, Boston Symphony Orchestra, Seiji OzawaG Major19B88 BPM
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico by Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigBruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energicoMax Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigG Major29B90 BPM
Don Quixote, Op. 35, TrV 184: Theme by Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine BullockDon Quixote, Op. 35, TrV 184: ThemeRichard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine BullockG Major09B129 BPM
Symphonie fantastique, Op. 14, H. 48: IV. Marche au supplice by Hector Berlioz, Leonard Bernstein, New York PhilharmonicSymphonie fantastique, Op. 14, H. 48: IV. Marche au suppliceHector Berlioz, Leonard Bernstein, New York PhilharmonicG Minor36A78 BPM
Symphony in B Minor (arr. T. Finno for orchestra): I. Allegro ben marcato by Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun MarklSymphony in B Minor (arr. T. Finno for orchestra): I. Allegro ben marcatoClaude Debussy, Tony Finno, Orchestre National De Lyon, Jun MarklC Major18B99 BPM
Die Meistersinger von Nürnberg, WWV 96: Prelude by Richard Wagner, Wiener Philharmoniker, Sir Georg SoltiDie Meistersinger von Nürnberg, WWV 96: PreludeRichard Wagner, Wiener Philharmoniker, Sir Georg SoltiC Major48B99 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7868118286132812

End: 0.7907845973968506