Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra's 'Sibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto' came out on September 1, 2003. Since Sibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Sibelius & Korngold: Violin Concertos / Sinding Suite". In this album, this song's track order is #3. In terms of popularity, Sibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto by Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Traditional: Deep River (Arr. for Violin and Piano by Jascha Heifetz) | Jascha Heifetz, Traditional, Itzhak Perlman, Samuel Sanders | D Major | 2 | 10B | 96 BPM | ||
Elite Syncopations - 1986 Remastered Version | Scott Joplin, André Previn | G Major | 4 | 9B | 191 BPM | ||
Introduction et variations sur La belle meunière in E Minor, Op. 160, D. 802: III. Var. I | Franz Schubert, Emmanuel Pahud, Eric Le Sage | D Major | 2 | 10B | 101 BPM | ||
6 Finnish Folksongs, JS 81: No. 6. Haamuistelma (Wedding Memories) | Håvard Gimse, Jean Sibelius | A♭ Major | 0 | 4B | 74 BPM | ||
Caprice viennois | Fritz Kreisler, Isaac Stern, János Rolla, Franz Liszt Chamber Orchestra | B Major | 1 | 1B | 89 BPM | ||
Two Serenades, Op.69: 1. Andante assai, Op.69 No.1 - In D Major | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 0 | 10B | 108 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 3. Intermezzo (Allegretto non troppo) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 1 | 8A | 115 BPM | ||
Scheherazade Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, André Previn, London Symphony Orchestra | E Major | 1 | 12B | 69 BPM | ||
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM | ||
Dvořák: Violin Concerto in A Minor, Op. 53, B. 108: I. Allegro ma non troppo | Antonín Dvořák, Itzhak Perlman, Daniel Barenboim, London Philharmonic Orchestra | A Minor | 2 | 8A | 76 BPM |
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