"A Faust Symphony, S.108: 2. Gretchen" by Franz Liszt, Chicago Symphony Orchestra, Sir Georg Solti was released on August 1, 1986. A Faust Symphony, S.108: 2. Gretchen appears to be safe for all ages as it is not explicit. The track order of this song in Franz Liszt, Sir Georg Solti, Siegfried Jerusalem, Chicago Symphony Chorus, Chicago Symphony Orchestra's "Liszt: A Faust Symphony" album is number 2 out of 3. On top of that, United Kingdom appears to be the country where this track was created. A Faust Symphony, S.108: 2. Gretchen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Faust Symphony, S.108: 2. Gretchen by Franz Liszt, Chicago Symphony Orchestra, Sir Georg Solti to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Menuet antique (version for orchestra) | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | F♯ Major | 0 | 2B | 65 BPM | ||
La Damnation de Faust, Op. 24, H 111 / Pt. 2: Choeur de buveurs: Oh! qu'il fait bon | Hector Berlioz, Malcolm King, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 3 | 4B | 143 BPM | ||
Four Orchestral Pieces Op. 12 (Sz 51): II. Scherzo: Allegro | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
String Quartet No.6 In F Minor, Op.80, MWV R 37: 3. Adagio | Felix Mendelssohn, Emerson String Quartet | A♭ Major | 0 | 4B | 79 BPM | ||
Guillaume Tell: Overture - Remastered | Gioachino Rossini, Fritz Reiner, Chicago Symphony Orchestra | E Major | 1 | 12B | 85 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Götterdämmerung, WWV 86D / Act 3: Fliegt heim, ihr Raben! | Richard Wagner, Birgit Nilsson, Gottlob Frick, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 95 BPM | ||
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 68 BPM |
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