"Symphonic Dances, Op. 45: II. Andante con moto (Tempo di valse)" by Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel was released on January 1, 1984. Since Symphonic Dances, Op. 45: II. Andante con moto (Tempo di valse) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "Rachmaninoff: Symphonic Dances, Op.45; Intermezzo "Aleko"; Vocalise, Op.34". In this album, this song's track order is #2. Symphonic Dances, Op. 45: II. Andante con moto (Tempo di valse) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphonic Dances, Op. 45: II. Andante con moto (Tempo di valse) by Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Symphony No. 3 in D Minor: IV. Sehr langsam. Misterioso. Durchaus ppp | Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel, Gerhild Romberger | A Minor | 0 | 8A | 174 BPM | ||
Aus aller Herren Landern (From Foreign Lands), Op. 23: IV. Spanish: Molto vivace | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | E Minor | 2 | 9A | 105 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Symphony No. 5 in B Flat Major, D. 485: II. Andante con moto | Franz Schubert, Chamber Orchestra of Europe, Claudio Abbado | E♭ Major | 1 | 5B | 81 BPM | ||
Piano Concerto in E Major, Op. 59: IV. Allegro deciso | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | E Major | 2 | 12B | 84 BPM | ||
Symphonic Dances, Op. 45: I. Non allegro | Sergei Rachmaninoff, Berliner Philharmoniker, Kirill Petrenko | D Minor | 1 | 7A | 80 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM |
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