"Die Meistersinger von Nürnberg, WWV 96 / Act III: "Morgenlich leuchtend"" by Richard Wagner, Plácido Domingo, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum was released on January 1, 1976. Die Meistersinger von Nürnberg, WWV 96 / Act III: "Morgenlich leuchtend" appears to be safe for all ages as it is not explicit. This song is part of Wagner: Die Meistersinger von Nürnberg by Richard Wagner, Orchester der Deutschen Oper Berlin, Eugen Jochum. The song's track number on the album is #7 out of 44 tracks. Based on our statistics, Die Meistersinger von Nürnberg, WWV 96 / Act III: "Morgenlich leuchtend"'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Meistersinger von Nürnberg, WWV 96 / Act III: "Morgenlich leuchtend" by Richard Wagner, Plácido Domingo, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum has a tempo of 135 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Die Meistersinger von Nürnberg, WWV 96 / Act III: "Morgenlich leuchtend" being at 135 BPM, the half-time would be 68 BPM with a double-time of 270 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Seven Songs: Pleading Op. 48 | Edward Elgar, Felicity Lott, Joseph Middleton | F Major | 2 | 7B | 103 BPM | ||
St. Matthew Passion, BWV 244 / Part One: No. 20 Evangelist, Jesus: "Und da sie den Lobgesang gesprochen hatten" | Johann Sebastian Bach, Peter Schreier, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 110 BPM | ||
Wachet auf, ruft uns die Stimme, Cantata BWV 140: III. "Wann kommst du, mein Heil?" | Johann Sebastian Bach, Edith Mathis, Dietrich Fischer-Dieskau, Münchener Bach-Orchester, Karl Richter | C Minor | 2 | 5A | 76 BPM | ||
Hungarian Dance No.18 in D Major, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 139 BPM | ||
Die Walküre / Dritter Aufzug: "Hier bin ich, Vater" | Richard Wagner, Birgit Nilsson, Hans Hotter, Wiener Philharmoniker, Sir Georg Solti | F Major | 1 | 7B | 125 BPM | ||
Das Paradies und die Peri, Op. 50, Erster Teil: No. 8 Weh, weh, er fehlte das Ziel | Robert Schumann, London Symphony Orchestra, London Symphony Chorus, Sir Simon Rattle, Simon Halsey | B Minor | 0 | 10A | 74 BPM | ||
Turandot / Act 2: Die zweite Antwort: "Sì, Principessa!" (Calaf, Turandot, Coro, Coro di ragazzi) | Giacomo Puccini, Katia Ricciarelli, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus, Vienna Boys' Choir | D Minor | 4 | 7A | 100 BPM | ||
Luisa Fernanda: Bien venidos, los Vareadores | Federico Moreno Torroba, Plácido Domingo, Manuel Moreno-Buendia | A Major | 2 | 11B | 83 BPM | ||
Hungarian Dance No.17 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 1 | 11A | 141 BPM | ||
Act I: Vesti la giubba | Ruggero Leoncavallo, Plácido Domingo, Nello Santi, London Symphony Orchestra | E Major | 2 | 12B | 77 BPM |
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