"Symphony No. 2, Op. 30, "Romantic": III. Allegro con brio" by Howard Hanson, Seattle Symphony Orchestra, Gerard Schwarz was released on January 1, 1992. Since Symphony No. 2, Op. 30, "Romantic": III. Allegro con brio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Howard Hanson, Gerard Schwarz's "Hanson, H.: Music of Howard Hanson, Vol. 1 - Symphonies Nos. 2 and 4 / Fantasy-Variations On A Theme of Youth" album is number 3 out of 20. Based on our statistics, Symphony No. 2, Op. 30, "Romantic": III. Allegro con brio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 2, Op. 30, "Romantic": III. Allegro con brio by Howard Hanson, Seattle Symphony Orchestra, Gerard Schwarz to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Notturno for Strings and Harp: Lento | Irving Fine, Gerard Schwarz, New York Chamber Symphony | D Major | 2 | 10B | 147 BPM | ||
Bach - Passacaglia and Fugue in C Minor, P. 159 (after J.S. Bach's BWV 582) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | C Minor | 1 | 5A | 121 BPM | ||
III. Presto | Johann Sebastian Bach, Gerard Schwarz, Los Angeles Chamber Orchestra | G Major | 3 | 9B | 90 BPM | ||
I. Allegro | Johann Sebastian Bach, Gerard Schwarz, Los Angeles Chamber Orchestra | F Major | 3 | 7B | 81 BPM | ||
The Water Music Suite No. 1 in F major, HWV 348: IX. Allegro | Gerard Schwarz | D Minor | 1 | 7A | 66 BPM | ||
The Planets, Op. 32: 6. Uranus, the Magician | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | C Major | 2 | 8B | 115 BPM | ||
An Outdoor Overture | Aaron Copland, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 112 BPM | ||
Clarinet Concerto No. 2 in E-Flat Major, Op. 57: II. Adagio | Louis Spohr, Gerard Schwarz, Jon Manasse, Seattle Symphony; | A♭ Major | 0 | 4B | 86 BPM | ||
Concerto grosso No.2: 4. Tranquillo | Ernest Bloch, Eastman-Rochester Orchestra, Howard Hanson | G Major | 1 | 9B | 115 BPM |
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