Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) - Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra Information

Acousticness: 84%
Danceability: 22%
Energy: 7%
Instrumentalness: 16%
Liveness: 35%
Loudness: 51%
Speechiness: 5%
Valence: 8%
Popularity: 4%
Loudness: -29.188 dB

Summary

"Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace)" by Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra was released on March 1, 1993. Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. The track order of this song in Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra's "Lutoslawsky : Concerto for Orchestra & Symphony No.3" album is number 2 out of 13. Based on our statistics, Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) BPM

We consider the tempo marking of Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) by Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra to be Vivace (lively and fast) because the track has a tempo of 158 BPM, a half-time of 79BPM, and a double-time of 316 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.

Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) Key

The music key of this track is B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sibelius: Symphony No. 1 in E Minor, Op. 39: I. Andante, ma non troppo - Allegro energico	Jean Sibelius, Paavo Berglund, Helsinki Philharmonic Orchestra	C Major	2	8B	109 BPM
Schoenberg: Verklärte Nacht, Op. 4: III. A tempo	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston	B♭ Minor	1	3A	86 BPM
Cypresses B.152: 9. Moderato	Antonín Dvořák, Hagen Quartett	D♭ Major	0	3B	83 BPM
Symphonie fantastique, Op. 14, H 48: II. Un Bal	Hector Berlioz, London Symphony Orchestra, Sir Colin Davis	A Major	1	11B	113 BPM
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 2. Larghetto	Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit	G Minor	1	6A	101 BPM
Violin Concerto in D Major, Op. 35: III. Finale - Allegro assai vivace	Erich Wolfgang Korngold, Jascha Heifetz, Alfred Wallenstein	G Major	4	9B	76 BPM
Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio	Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti	B♭ Minor	0	3A	82 BPM
Sonata For 2 Pianos And Percussion, Sz. 110: 3. Allegro non troppo	Béla Bartók, Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis	A Major	3	11B	140 BPM
Respighi: Pini di Roma, P. 141: I. I pini di Villa Borghese	Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra	F Major	4	7B	90 BPM
Alpine Symphony: Night	Richard Strauss, Rico Saccani, Budapest Philharmonic Orchestra	B♭ Minor	3	3A	81 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6741411685943604

End: 0.677954912185669