"Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio" by Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti was released on May 1, 1991. Since Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 8 in Bartók: Music for Strings, Percussion & Celesta; Divertimento; Miraculous Mandarin Suite by Pierre Oberkampf, Béla Bartók, Sir Georg Solti, Chicago Symphony Orchestra. Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio by Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 7 in C Major, Op. 60 "Leningrad": II. Moderato (poco allegretto) - Live | Dmitri Shostakovich, Chicago Symphony Orchestra, Leonard Bernstein | E♭ Major | 1 | 5B | 128 BPM | ||
Symphony, Op. 21: I. Ruhig, schreitend | Anton Webern, Twentieth Century Classics Ensemble, Robert Craft | G Major | 0 | 9B | 78 BPM | ||
The Planets, Op. 32: 5. Saturn, The Bringer Of Old Age | Gustav Holst, Chicago Symphony Orchestra, James Levine | G Major | 0 | 9B | 132 BPM | ||
Tchaikovsky : Symphony No.5 in E minor Op.64 : II Andante cantabile, con alcuna licenza | Pyotr Ilyich Tchaikovsky, Daniel Barenboim, Chicago Symphony Orchestra | D Major | 1 | 10B | 88 BPM | ||
Shostakovich: Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo | Dmitri Shostakovich, Chicago Symphony Orchestra, André Previn | D Minor | 2 | 7A | 157 BPM | ||
And Tired From Happiness, They Started to Dance: I. Shadows in the Mirror | Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi | G Major | 2 | 9B | 85 BPM | ||
Sonatas and Interludes for Prepared Piano: Sonata No. 2 | John Cage, Boris Berman | D♭ Major | 2 | 3B | 123 BPM | ||
Le marteau sans maître: Avant "l'Artisanat furieux" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | F Minor | 0 | 4A | 173 BPM | ||
Guillaume Tell: Overture - Remastered | Gioachino Rossini, Fritz Reiner, Chicago Symphony Orchestra | E Major | 1 | 12B | 85 BPM | ||
Symphony No.1 in E Major, Op. 26: I. Lento | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | E♭ Major | 2 | 5B | 139 BPM |
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