Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio
Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti
Bartók: Music for Strings, Percussion & Celesta; Divertimento; Miraculous Mandarin Suite
6:48 May 1, 1991
BPM
82
Key
B♭ Minor
Camelot
3A

Embed

Share Link

Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio - Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti Information

Acousticness
55%
Danceability
15%
Energy
3%
Instrumentalness
23%
Liveness
8%
Loudness
49%
Speechiness
4%
Valence
4%
Popularity
Loudness
-30.439 dB

Summary

"Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio" by Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti was released on May 1, 1991. Since Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 8 in Bartók: Music for Strings, Percussion & Celesta; Divertimento; Miraculous Mandarin Suite by Pierre Oberkampf, Béla Bartók, Sir Georg Solti, Chicago Symphony Orchestra. Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio BPM

The tempo marking of Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio by Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio Key

B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Symphony No. 7 in C Major, Op. 60 Symphony No. 7 in C Major, Op. 60 "Leningrad": II. Moderato (poco allegretto) - LiveDmitri Shostakovich, Chicago Symphony Orchestra, Leonard BernsteinE♭ Major15B128 BPM
Symphony, Op. 21: I. Ruhig, schreitend by Anton Webern, Twentieth Century Classics Ensemble, Robert CraftSymphony, Op. 21: I. Ruhig, schreitendAnton Webern, Twentieth Century Classics Ensemble, Robert CraftG Major09B78 BPM
The Planets, Op. 32: 5. Saturn, The Bringer Of Old Age by Gustav Holst, Chicago Symphony Orchestra, James LevineThe Planets, Op. 32: 5. Saturn, The Bringer Of Old AgeGustav Holst, Chicago Symphony Orchestra, James LevineG Major09B132 BPM
Tchaikovsky : Symphony No.5 in E minor Op.64 : II Andante cantabile, con alcuna licenza by Pyotr Ilyich Tchaikovsky, Daniel Barenboim, Chicago Symphony OrchestraTchaikovsky : Symphony No.5 in E minor Op.64 : II Andante cantabile, con alcuna licenzaPyotr Ilyich Tchaikovsky, Daniel Barenboim, Chicago Symphony OrchestraD Major110B88 BPM
Shostakovich: Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo by Dmitri Shostakovich, Chicago Symphony Orchestra, André PrevinShostakovich: Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppoDmitri Shostakovich, Chicago Symphony Orchestra, André PrevinD Minor27A157 BPM
And Tired From Happiness, They Started to Dance: I. Shadows in the Mirror by Jüri Reinvere, Estonian Festival Orchestra, Paavo JärviAnd Tired From Happiness, They Started to Dance: I. Shadows in the MirrorJüri Reinvere, Estonian Festival Orchestra, Paavo JärviG Major29B85 BPM
Sonatas and Interludes for Prepared Piano: Sonata No. 2 by John Cage, Boris BermanSonatas and Interludes for Prepared Piano: Sonata No. 2John Cage, Boris BermanD♭ Major23B123 BPM
Le marteau sans maître: Avant Le marteau sans maître: Avant "l'Artisanat furieux"Pierre Boulez, Hilary Summers, Ensemble IntercontemporainF Minor04A173 BPM
Guillaume Tell: Overture - Remastered by Gioachino Rossini, Fritz Reiner, Chicago Symphony OrchestraGuillaume Tell: Overture - RemasteredGioachino Rossini, Fritz Reiner, Chicago Symphony OrchestraE Major112B85 BPM
Symphony No.1 in E Major, Op. 26: I. Lento by Alexander Scriabin, London Symphony Orchestra, Valery GergievSymphony No.1 in E Major, Op. 26: I. LentoAlexander Scriabin, London Symphony Orchestra, Valery GergievE♭ Major25B139 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7253057956695557

End: 0.7293863296508789