Pierre Boulez, Hilary Summers, Ensemble Intercontemporain's 'Le marteau sans maître: Avant "l'Artisanat furieux"' came out on December 15, 2004. With Le marteau sans maître: Avant "l'Artisanat furieux" being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 11 in Boulez: Le Marteau sans maitre; Derive 1 & 2 by Pierre Boulez, Hilary Summers, Ensemble Intercontemporain. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Le marteau sans maître: Avant "l'Artisanat furieux" is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le marteau sans maître: Avant "l'Artisanat furieux" by Pierre Boulez, Hilary Summers, Ensemble Intercontemporain is Vivace (lively and fast), since this song has a tempo of 173 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psalom | Arvo Pärt, Kronos Quartet | A Major | 0 | 11B | 92 BPM | ||
Symphony No. 3 In D Minor / Part 2: V. Lustig im Tempo und keck im Ausdruck: "Bimm Bamm. Es sungen drei Engel" | Gustav Mahler, Anne Sofie von Otter, Wiener Philharmoniker, Pierre Boulez, Women Chorus of Singverein der Gesellschaft der Musikfreunde, Vienna Boys' Choir | E♭ Major | 0 | 5B | 131 BPM | ||
Nocturnes, L.91: II. Fêtes | Claude Debussy, Cleveland Orchestra, Pierre Boulez | D♭ Major | 1 | 3B | 72 BPM | ||
4 Pezzi (Su una nota sola): I. — | Giacinto Scelsi, Vienna Radio Symphony Orchestra, Peter Rundel | B♭ Major | 0 | 6B | 87 BPM | ||
Ame no ki (Rain Tree Sketch): Rain Tree Sketch | Toru Takemitsu, Kotaro Fukuma | A Major | 0 | 11B | 131 BPM | ||
Serenade: II. Larghetto | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | C Minor | 1 | 5A | 83 BPM | ||
Violin Concerto, Op. 12: I. Andante con moto | Kurt Weill, Henry Raudales, Munich Radio Orchestra, Gerd Müller-Lorenz | D♭ Minor | 2 | 12A | 133 BPM | ||
Danse sacrée et danse profane, L. 103: II. Danse profane | Claude Debussy, Lisa Wellbaum, Cleveland Orchestra, Pierre Boulez | A Major | 0 | 11B | 60 BPM | ||
Symphony No. 8 in E Flat Major - "Symphony of a Thousand" / Part 1: Hymnus "Veni creator spiritus": "Veni, Creator...Da gaudiorum praemia" | Gustav Mahler, Twyla Robinson, Erin Wall, Michelle DeYoung, Simone Schroder, Johan Botha, Hanno Müller-Brachmann, Robert Holl, Staatskapelle Berlin, Pierre Boulez, Chor Der Staatsoper Berlin, Rundfunkchor Berlin, Aurelius Sangerknaben Calw | A♭ Major | 2 | 4B | 167 BPM | ||
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Second Decoy Game | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | C Major | 0 | 8B | 101 BPM |
Section: 0.6594407558441162
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