"4 Pezzi (Su una nota sola): I. —" by Giacinto Scelsi, Vienna Radio Symphony Orchestra, Peter Rundel was released on January 30, 2007. The duration of 4 Pezzi (Su una nota sola): I. — is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. 4 Pezzi (Su una nota sola): I. —'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Scelsi: The Orchestral Works, Vol. 2". In this album, this song's track order is #1. 4 Pezzi (Su una nota sola): I. — is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 4 Pezzi (Su una nota sola): I. — by Giacinto Scelsi, Vienna Radio Symphony Orchestra, Peter Rundel having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Egmont, Op. 84: Entr'acte No. 4: Larghetto | Ludwig van Beethoven, Maria Bengtsson, Tobias Moretti, Vienna Radio Symphony Orchestra, Bertrand de Billy | F♯ Major | 2 | 2B | 71 BPM | ||
Twelve Preludes For Piano (1953): I | Galina Ustvolskaya, Marianne Schroeder | D Minor | 0 | 7A | 68 BPM | ||
Piano & Violoncello 13 | Irena And Vojtech Havlovi | C Minor | 1 | 5A | 66 BPM | ||
Dewdrop Dhun | Sanseti Sabaru | A Minor | 0 | 8A | 102 BPM | ||
Stiffelio / Act 1: "Colla cenere disperso" | Giuseppe Verdi, José Carreras, Sylvia Sass, Matteo Manuguerra, Wladimiro Ganzarolli, Ezio Di Cesare, Maria Venuti, Thomas Moser, Vienna Radio Symphony Orchestra, Lamberto Gardelli | G Major | 1 | 9B | 130 BPM | ||
Dialogues des Carmelites, FP 159: Act I Scene 2: N'allez pas croire que ce fauteuil (La Prieure, Blanche) | Francis Poulenc, Jean-Philippe Lafont, Sally Matthews, Yann Beuron, Deborah Polaski, Heidi Brunner, Michelle Breedt, Hendrickje van Kerckhove, Magdalena Anna Hofmann, Christa Ratzenböck, Jürgen Sacher, Matjaz Robavs, Erik Arman, Craig Smith, Dominik Koninger, Nenad Marinkovic, Arnold Schoenberg Chor, Vienna Radio Symphony Orchestra, Bertrand de Billy | C Major | 1 | 8B | 70 BPM | ||
Stiffelio / Act 3: "Ah, sì, voliamo al tempio" | Giuseppe Verdi, José Carreras, Sylvia Sass, Vienna Radio Symphony Orchestra, Lamberto Gardelli | E Major | 2 | 12B | 78 BPM | ||
Ligeti : Hamburg Concerto : III Aria, Aksak, Hoketus | György Ligeti, Reinbert de Leeuw | C Major | 1 | 8B | 114 BPM | ||
I due Foscari / Act 2: Quartetto: "Ah sì, il tempo" | Giuseppe Verdi, José Carreras, Katia Ricciarelli, Piero Cappuccilli, Samuel Ramey, ORF Chorus, Vienna Radio Symphony Orchestra, Lamberto Gardelli | F♯ Minor | 2 | 11A | 171 BPM | ||
I due Foscari / Act 1: Duetto: "Tu pur lo sai" | Giuseppe Verdi, Katia Ricciarelli, Piero Cappuccilli, ORF Chorus, Vienna Radio Symphony Orchestra, Lamberto Gardelli | F♯ Minor | 2 | 11A | 171 BPM |
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