The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Second Decoy Game - Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez Information

Acousticness: 83%
Danceability: 14%
Energy: 4%
Instrumentalness: 79%
Liveness: 15%
Loudness: 54%
Speechiness: 4%
Valence: 5%
Popularity: 10%
Loudness: -27.463 dB

Summary

"The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Second Decoy Game" by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez was released on January 1, 1996. The duration of The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Second Decoy Game is about 3 minutes long, at 3:12. Based on our data, "The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Second Decoy Game" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 15 in Bartók: The Miraculous Mandarin by Béla Bartók, Chicago Symphony Chorus, Chicago Symphony Orchestra, Duain Wolfe, Pierre Boulez. In terms of popularity, The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Second Decoy Game is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Second Decoy Game BPM

The tempo marking of The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Second Decoy Game by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Second Decoy Game Key

C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht	Richard Strauss, Berliner Philharmoniker, Herbert von Karajan	G Major	1	9B	105 BPM
Appalachian Spring: V. Subito allegro	Aaron Copland, Leonard Bernstein, New York Philharmonic	C Major	3	8B	92 BPM
Symphony No. 2 "The Age of Anxiety" / Part 1 / 3. The Seven Stages: Variation 11. L'istesso tempo	Leonard Bernstein, Krystian Zimerman, Berliner Philharmoniker, Sir Simon Rattle	G Major	4	9B	172 BPM
Symphony, Op. 21: I. Ruhig, schreitend	Anton Webern, Twentieth Century Classics Ensemble, Robert Craft	G Major	0	9B	78 BPM
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino	Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski	E Major	1	12B	95 BPM
Bartók: String Quartet No. 4 in C Major, Sz. 91: II. Prestissimo, con sordino	Béla Bartók, Belcea Quartet	F Major	1	7B	87 BPM
L'Oiseau de feu, K010: II. Le jardin enchanté de Kastchei	Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez	G Minor	0	6A	78 BPM
Schoenberg: 5 Orchestral Pieces, Op. 16: No. 4 Peripetie (Peripeteia)	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra	B♭ Minor	1	3A	76 BPM
Hindemith: Kammermusik No. 1 for 12 Solo Instruments, Op. 24 No. 1: IV. Finale 1921 (Lebhaft)	Paul Hindemith, Claudio Abbado, Berliner Philharmoniker	E Minor	2	9A	178 BPM
Concerto for Orchestra, Sz. 116: 4. Intermezzo interrotto (Allegretto)	Béla Bartók, Berliner Philharmoniker, Herbert von Karajan	F Major	0	7B	96 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7605416774749756

End: 0.7683062553405762