"Schoenberg: 5 Orchestral Pieces, Op. 16: No. 4 Peripetie (Peripeteia)" by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra was released on April 27, 1995. The duration of Schoenberg: 5 Orchestral Pieces, Op. 16: No. 4 Peripetie (Peripeteia) is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Schoenberg: 5 Orchestral Pieces, Op. 16: No. 4 Peripetie (Peripeteia)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Schonberg : Verklärte Nacht, 5 Orchestral Pieces & Piano Works". In this album, this song's track order is #12. Schoenberg: 5 Orchestral Pieces, Op. 16: No. 4 Peripetie (Peripeteia) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schoenberg: 5 Orchestral Pieces, Op. 16: No. 4 Peripetie (Peripeteia) by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Symphony No. 4 in C Minor, Op. 43: II. Moderato con moto | Dmitri Shostakovich, London Symphony Orchestra, Gianandrea Noseda | C Major | 0 | 8B | 138 BPM | ||
Schoenberg: 6 Little Piano Pieces, Op. 9: No. 2 Langsam | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Major | 0 | 6B | 110 BPM | ||
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Preludes: Le nombre leger (The Light Number) | Olivier Messiaen, Håkon Austbø | B Major | 1 | 1B | 68 BPM | ||
Verklärte Nacht, Op.4: 4. Sehr breit und langsam (bar 229) | Arnold Schoenberg, Janine Jansen, Boris Brovtsyn, Amihai Grosz, Maxim Rysanov, Torleif Thedéen, Jens-Peter Maintz | D♭ Major | 1 | 3B | 91 BPM | ||
6 Consolations, S. 172: No. 5 in E Major (Andantino) | Franz Liszt, Daniel Barenboim | E Major | 0 | 12B | 81 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Daniel Barenboim, Jacqueline du Pré, Philadelphia Orchestra | B♭ Major | 0 | 6B | 96 BPM | ||
Dances of Galánta | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra | A Minor | 1 | 8A | 76 BPM |
Section: 0.7807817459106445
End: 0.7844357490539551