"Symphony, Op. 21: I. Ruhig, schreitend" by Anton Webern, Twentieth Century Classics Ensemble, Robert Craft was released on January 2, 2005. Since Symphony, Op. 21: I. Ruhig, schreitend is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Webern, A.: Symphony / 6 Pieces, Op. 6 / Concerto by Anton Webern, Robert Craft. The song's track number on the album is #1 out of 42 tracks. Symphony, Op. 21: I. Ruhig, schreitend is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Symphony, Op. 21: I. Ruhig, schreitend by Anton Webern, Twentieth Century Classics Ensemble, Robert Craft has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Symphony, Op. 21: I. Ruhig, schreitend being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata, Op.1 | Alban Berg, Pierre-Laurent Aimard | E Minor | 1 | 9A | 74 BPM | ||
String Quartet No.1 in A Major | Alexander Borodin, Borodin Quartet | A Minor | 1 | 8A | 117 BPM | ||
Ibert: 3 Pièces brèves: III. Assez lent - Allegro Scherzando | Jacques Ibert, Les Vents Français, Tullio Serafin, Orchestra del Maggio Musicale Fiorentino | B Major | 1 | 1B | 78 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Des Helden Walstatt (The Hero's Field of Battle) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | E♭ Major | 4 | 5B | 133 BPM | ||
Symphony No. 2 "The Age of Anxiety" / Part 1 / 2. The Seven Ages: Variation 1. L'istesso tempo | Leonard Bernstein, Krystian Zimerman, Berliner Philharmoniker, Sir Simon Rattle | A Major | 0 | 11B | 37 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Major | 2 | 12B | 76 BPM | ||
Symphony No.3 - "Liturgique": 1. "Dies Irae" - Allegro marcato | Arthur Honegger, Berliner Philharmoniker, Herbert von Karajan | C Major | 6 | 8B | 143 BPM | ||
Divertimento for Strings, Sz. 113: I. Allegro non troppo | Béla Bartók, Chicago Symphony Strings, Sir Georg Solti | B♭ Major | 2 | 6B | 108 BPM | ||
Alpine Symphony: Night | Richard Strauss, Rico Saccani, Budapest Philharmonic Orchestra | B♭ Minor | 3 | 3A | 81 BPM | ||
Appalachian Spring: VI. Meno mosso | Aaron Copland, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 143 BPM |
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