Sonatas and Interludes for Prepared Piano: Sonata No. 2
John Cage, Boris Berman
Cage: Sonatas and Interludes for Prepared Piano
2:32 June 29, 1999
BPM
123
Key
D♭ Major
Camelot
3B

Embed

Share Link

Sonatas and Interludes for Prepared Piano: Sonata No. 2 - John Cage, Boris Berman Information

Acousticness
92%
Danceability
40%
Energy
21%
Instrumentalness
67%
Liveness
8%
Loudness
52%
Speechiness
5%
Valence
23%
Popularity
Loudness
-29.057 dB

Summary

John Cage, Boris Berman's 'Sonatas and Interludes for Prepared Piano: Sonata No. 2' had a release date set for June 29, 1999. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Sonatas and Interludes for Prepared Piano: Sonata No. 2's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 19 in Cage: Sonatas and Interludes for Prepared Piano by John Cage, Boris Berman. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Sonatas and Interludes for Prepared Piano: Sonata No. 2's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Sonatas and Interludes for Prepared Piano: Sonata No. 2 BPM

The tempo marking of Sonatas and Interludes for Prepared Piano: Sonata No. 2 by John Cage, Boris Berman is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Sonatas and Interludes for Prepared Piano: Sonata No. 2 Key

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Totem Ancestor by John Cage, Kronos QuartetTotem AncestorJohn Cage, Kronos QuartetB♭ Major16B155 BPM
Umi e (Toward the Sea): I - The Night by Toru Takemitsu, Robert Aitken, Toronto New Music EnsembleUmi e (Toward the Sea): I - The NightToru Takemitsu, Robert Aitken, Toronto New Music EnsembleF♯ Major02B71 BPM
Les heures persanes, Op. 65: No. 1. Sieste, avant le depart: Lent by Charles Koechlin, Ralph van RaatLes heures persanes, Op. 65: No. 1. Sieste, avant le depart: LentCharles Koechlin, Ralph van RaatB Major01B66 BPM
Semi-Simple Variations by Milton Babbitt, Robert TaubSemi-Simple VariationsMilton Babbitt, Robert TaubB Major01B136 BPM
String Quartet in F Major: III. Tres Lent by Maurice Ravel, Cavani QuartetString Quartet in F Major: III. Tres LentMaurice Ravel, Cavani QuartetD♭ Major03B88 BPM
The Seasons: 5. Prelude III by John Cage, Herbert HenckThe Seasons: 5. Prelude IIIJohn Cage, Herbert HenckD Minor07A69 BPM
Lamentate: Fragile by Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester StuttgartLamentate: FragileArvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester StuttgartD Major110B126 BPM
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild by Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner PhilharmonikerKammermusik No. 1, Op.24 No.1: I. Sehr schnell und wildPaul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner PhilharmonikerB Major41B137 BPM
In a Landscape by John Cage, Alexei LubimovIn a LandscapeJohn Cage, Alexei LubimovB♭ Major06B69 BPM
Dream (1948) by John Cage, Stephen DruryDream (1948)John Cage, Stephen DruryE♭ Major05B140 BPM
ISRC
HKI199825202
Label
L-M Records/RCA Records