"Umi e (Toward the Sea): I - The Night" by Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble was released on October 18, 2003. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Takemitsu: Toward the Sea / Rain Tree / Rain Spell / Bryce". In this album, this song's track order is #3. Umi e (Toward the Sea): I - The Night is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Umi e (Toward the Sea): I - The Night by Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Jonas Nordberg | F Major | 0 | 7B | 115 BPM | ||
Quartet for the End of Time | Olivier Messiaen, The Fibonacci Sequence, Jack Liebeck, Julian Farrell, Benjamin Hughes, Kathron Sturrock | F♯ Major | 1 | 2B | 103 BPM | ||
Kol Nidre | John Zorn, Quatuor Molinari | F♯ Minor | 1 | 11A | 147 BPM | ||
Scenes de la foret, Op. 123: No. 1. Nocturne | Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra, members | A♭ Major | 0 | 4B | 131 BPM | ||
Sea Theme Vox Balaenae | George Crumb, Ensemble für Neue Musik Zürich | D♭ Major | 0 | 3B | 130 BPM | ||
3 Utwory w dawnym stylu (3 Pieces in Old Style): I. — | Henryk Górecki, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 0 | 8A | 76 BPM | ||
Melody | Joseph Moiseyevich Schillinger, Lydia Kavina, Joshua Pierce | B♭ Minor | 1 | 3A | 0 BPM | ||
String Quartet No. 4, Op. 25, "Suite": III. Adagietto: Adagio | Alexander von Zemlinsky, Escher String Quartet | E♭ Minor | 0 | 2A | 76 BPM | ||
Játékok / 5.: 9. Aus der Ferne | György Kurtág, Márta Kurtág | G Minor | 0 | 6A | 66 BPM | ||
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | E♭ Major | 0 | 5B | 72 BPM |
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