"3 Utwory w dawnym stylu (3 Pieces in Old Style): I. —" by Henryk Górecki, Polish National Radio Symphony Orchestra, Antoni Wit was released on April 12, 1994. The duration of 3 Utwory w dawnym stylu (3 Pieces in Old Style): I. — is about 3 minutes long, at 3:17. Based on our data, "3 Utwory w dawnym stylu (3 Pieces in Old Style): I. —" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Henryk Górecki, Zofia Kilanowicz, Polish National Radio Symphony Orchestra, Antoni Wit's "Górecki: Symphony No. 3 - 3 Olden Style Pieces" album is number 4 out of 6. On top of that, Hong Kong appears to be the country where this track was created. 3 Utwory w dawnym stylu (3 Pieces in Old Style): I. — is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 3 Utwory w dawnym stylu (3 Pieces in Old Style): I. — by Henryk Górecki, Polish National Radio Symphony Orchestra, Antoni Wit to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Twelve Preludes For Piano (1953): I | Galina Ustvolskaya, Marianne Schroeder | D Minor | 0 | 7A | 68 BPM | ||
Concerto for Oboe and Strings: 1. Rondo Pastorale | Ralph Vaughan Williams, Celia Nicklin, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | ||
From a Bird’s Nest, Op. 9a: VIII. Second March | Henryk Górecki, Anna Gorecka | D♭ Minor | 1 | 12A | 135 BPM | ||
Piece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habanera | Nora Mercz, Maurice Ravel, Janos Balint | G Minor | 0 | 6A | 70 BPM | ||
Symphony No. 5 in C-Sharp Minor: IV. Adagietto: Sehr langsam | Gustav Mahler, Polish National Radio Symphony Orchestra, Antoni Wit | F Major | 0 | 7B | 80 BPM | ||
Perla w koronie (Pearl in the Crown): Cue numbers 26-27 | Wojciech Kilar, Jacek Mentel, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | E Minor | 1 | 9A | 81 BPM | ||
Phantasy Quintet: III. Alla Sarabanda: Lento | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E♭ Minor | 10 | 2A | 123 BPM | ||
Concerto en ré mineur, BWV 974: II. Adagio | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 2 | 7A | 85 BPM | ||
Stille Musik: 3. Augenblicke der Serenade | Valentin Silvestrov | C Major | 0 | 8B | 86 BPM | ||
The Heaven Ladder, Book 7: Simone's Lullaby (arr. E.-M. Zimmermann for piano 4 hands) | Terry Riley, ZOFO Duet | A Minor | 6 | 8A | 96 BPM |
Section: 0.956174373626709
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