"Symphony No. 5 in C-Sharp Minor: IV. Adagietto: Sehr langsam" by Gustav Mahler, Polish National Radio Symphony Orchestra, Antoni Wit was released on April 15, 1992. Symphony No. 5 in C-Sharp Minor: IV. Adagietto: Sehr langsam appears to be safe for all ages as it is not explicit. The track order of this song in Gustav Mahler, Antoni Wit's "Mahler, G.: Symphony No. 5" album is number 4 out of 5. On top of that, Hong Kong appears to be the country where this track was created. Symphony No. 5 in C-Sharp Minor: IV. Adagietto: Sehr langsam is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 5 in C-Sharp Minor: IV. Adagietto: Sehr langsam by Gustav Mahler, Polish National Radio Symphony Orchestra, Antoni Wit to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romance for Cello and Piano | Frederick Delius, Yo-Yo Ma, Kathryn Stott | B Major | 0 | 1B | 66 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: 13. Dance of the Knights | Sergei Prokofiev, Orchestre Symphonique de Montréal, Charles Dutoit | A Minor | 1 | 8A | 95 BPM | ||
Symphony No.3 in F Major, Op.90: 3. Poco allegretto | Johannes Brahms, Boston Symphony Orchestra, Bernard Haitink | C Minor | 0 | 5A | 86 BPM | ||
Fauré: Requiem in D Minor, Op. 48: VII. In Paradisum | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D Major | 0 | 10B | 147 BPM | ||
Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | B Minor | 1 | 10A | 79 BPM | ||
Florida Suite: By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | E♭ Major | 1 | 5B | 133 BPM | ||
Préludes No.9 : La sérénade interrompue | RR, Eliso Bolkvadze | D♭ Major | 0 | 3B | 135 BPM | ||
Delibes: Lakmé, Act 1: "Dôme épais le jasmin à la rose s'assemble" (Lakmé, Mallika) | Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Danielle Millet, Orchestre du Theatre National de IOpera-Comique | B Major | 1 | 1B | 135 BPM | ||
2 Elegiac Melodies, Op. 34: No. 2, Varen (Last Spring) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Major | 0 | 9B | 82 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM |
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