"Schoenberg: Verklärte Nacht, Op. 4: III. A tempo" by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston was released on April 27, 1995. The duration of Schoenberg: Verklärte Nacht, Op. 4: III. A tempo is about 3 minutes long, at 3:05. Based on our data, "Schoenberg: Verklärte Nacht, Op. 4: III. A tempo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Schonberg : Verklärte Nacht, 5 Orchestral Pieces & Piano Works". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Schoenberg: Verklärte Nacht, Op. 4: III. A tempo is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schoenberg: Verklärte Nacht, Op. 4: III. A tempo by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": III. Joutsenet muuttavat (Swans Migrating) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 3 | 3B | 85 BPM | ||
Violin Concerto No. 2 in D Minor, Op. 22: II. Romance | Henryk Wieniawski, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 91 BPM | ||
Philharmonia Fantastique - The Making of the Orchestra: Birth of Sprite | Mason Bates, Chicago Symphony Orchestra, Edwin Outwater | A Minor | 8 | 8A | 118 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Des Helden Gefahrtin (The Hero's Companion) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | B♭ Major | 0 | 6B | 136 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
Der du von dem Himmel bist S.279 | Franz Liszt, Dietrich Fischer-Dieskau, Daniel Barenboim | E Major | 0 | 12B | 128 BPM | ||
Gli uccelli (The Birds), P. 154: II. La colomba: Andante expressivo | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | F♯ Minor | 1 | 11A | 123 BPM | ||
Wagner: Tristan und Isolde, Act 2: "O König, das kann ich dir nicht sagen" (Tristan, Isolde, Melot) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Johan Botha, Siegfried Jerusalem, Waltraud Meier | B♭ Minor | 1 | 3A | 102 BPM |
Section: 1.0955796241760254
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