Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": III. Joutsenet muuttavat (Swans Migrating)
Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu
Rautavaara: Cantus Arcticus / Piano Concerto No. 1 / Symphony No. 3
7:29 February 15, 1999
BPM
85
Key
D♭ Major
Camelot
3B

Embed

Share Link

Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": III. Joutsenet muuttavat (Swans Migrating) - Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu Information

Acousticness
94%
Danceability
9%
Energy
25%
Instrumentalness
92%
Liveness
16%
Loudness
64%
Speechiness
5%
Valence
4%
Popularity
Loudness
-21.883 dB

Summary

"Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": III. Joutsenet muuttavat (Swans Migrating)" by Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu was released on February 15, 1999. Since Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": III. Joutsenet muuttavat (Swans Migrating) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Rautavaara: Cantus Arcticus / Piano Concerto No. 1 / Symphony No. 3". In this album, this song's track order is #3. Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": III. Joutsenet muuttavat (Swans Migrating) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": III. Joutsenet muuttavat (Swans Migrating) BPM

With Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": III. Joutsenet muuttavat (Swans Migrating) by Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": III. Joutsenet muuttavat (Swans Migrating) Key

D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Piano Sonata No. 2 (Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The AlcottsCharles Ives, Marc-André HamelinE♭ Major05B72 BPM
100 Folk-tunes from Hardanger, Op. 151: Suite No. 4, 100 Folk-tunes from Hardanger, Op. 151: Suite No. 4, "Wedding Suite": No. 46: Du... (You...)Geirr Tveitt, Royal Scottish National Orchestra, Bjarte EngesetG Major09B84 BPM
Adams: Nixon in China: Act III - (Beginning) by John Adams, Edo de Waart, Orchestra of St. Luke'sAdams: Nixon in China: Act III - (Beginning)John Adams, Edo de Waart, Orchestra of St. Luke'sD Minor17A129 BPM
M is for Man, Music, Mozart: The Eisenstein Song by Louis Andriessen, Jurjen Hempel, Orkest De VolhardingM is for Man, Music, Mozart: The Eisenstein SongLouis Andriessen, Jurjen Hempel, Orkest De VolhardingB♭ Minor03A59 BPM
Simple Symphony, Op. 4: III. Sentimental Sarabande by Benjamin Britten, Camerata Nordica, Terje TonnesenSimple Symphony, Op. 4: III. Sentimental SarabandeBenjamin Britten, Camerata Nordica, Terje TonnesenG Minor06A85 BPM
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes by Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic OrchestraRavel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodesMaurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic OrchestraA♭ Minor01A122 BPM
Symphony No. 7 in E Major, WAB 107 (original 1885 version, ed. R. Haas): IV. Finale: Bewegt, doch nicht schnell by Anton Bruckner, Royal Scottish National Orchestra, Georg TintnerSymphony No. 7 in E Major, WAB 107 (original 1885 version, ed. R. Haas): IV. Finale: Bewegt, doch nicht schnellAnton Bruckner, Royal Scottish National Orchestra, Georg TintnerB Major01B92 BPM
Schoenberg: Verklärte Nacht, Op. 4: III. A tempo by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonSchoenberg: Verklärte Nacht, Op. 4: III. A tempoArnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonB♭ Minor13A86 BPM
Belshazzar's Feast, JS 48: Act II: Prelude: Nocturno by Jean Sibelius, Turku Philharmonic Orchestra, Leif SegerstamBelshazzar's Feast, JS 48: Act II: Prelude: NocturnoJean Sibelius, Turku Philharmonic Orchestra, Leif SegerstamD♭ Major03B81 BPM
Preludes: Le nombre leger (The Light Number) by Olivier Messiaen, Håkon AustbøPreludes: Le nombre leger (The Light Number)Olivier Messiaen, Håkon AustbøB Major11B68 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 1.1366896629333496

End: 1.1404554843902588