"100 Folk-tunes from Hardanger, Op. 151: Suite No. 4, "Wedding Suite": No. 46: Du... (You...)" by Geirr Tveitt, Royal Scottish National Orchestra, Bjarte Engeset was released on September 5, 2001. The duration of 100 Folk-tunes from Hardanger, Op. 151: Suite No. 4, "Wedding Suite": No. 46: Du... (You...) is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. 100 Folk-tunes from Hardanger, Op. 151: Suite No. 4, "Wedding Suite": No. 46: Du... (You...)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Tveitt: 100 Hardanger Tunes - Suites Nos. 1 and 4". In this album, this song's track order is #16. 100 Folk-tunes from Hardanger, Op. 151: Suite No. 4, "Wedding Suite": No. 46: Du... (You...) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 100 Folk-tunes from Hardanger, Op. 151: Suite No. 4, "Wedding Suite": No. 46: Du... (You...) by Geirr Tveitt, Royal Scottish National Orchestra, Bjarte Engeset having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Concerto For Piano And Orchestra, Op. 16: Ii. Andante | Edvard Grieg, Sigurd Slåttebrekk | D♭ Major | 0 | 3B | 171 BPM | ||
3 Corali, P. 167: No. 2, Andante con moto e scherzando (After J.S. Bach's BWV 648) | Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling | G Major | 0 | 9B | 74 BPM | ||
Tannhauser: Pilgrims Chorus | Richard Wagner, Alexander Vilumanis, Latvian State Symphony Orchestra | E♭ Major | 0 | 5B | 75 BPM | ||
Belkis, regina di Saba, P 171: III. Danza guerresca | Ottorino Respighi, Alessandro Crudele, London Philharmonic Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
Suite Nr.1: Stavkyrkjestev | Geirr Tveitt, Royal Philharmonic Orchestra | D Major | 0 | 10B | 92 BPM | ||
The Long Day Closes: I. Main Titles | Milo Paulus | E Major | 2 | 12B | 107 BPM | ||
Moravian-Slovak Suite, Op. 32 (version for orchestra): III. The Lovers | Vítězslav Novák, Janáček Philharmonic Ostrava, Marek Štilec | E♭ Major | 1 | 5B | 137 BPM | ||
Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): I. My Ship: Andante misterioso | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 73 BPM | ||
Cinderella: 7. Cinderella, once more sitting by the fireside | Eric Coates, BBC Philharmonic Orchestra, John Wilson | G Major | 0 | 9B | 148 BPM |
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