"Moravian-Slovak Suite, Op. 32 (version for orchestra): III. The Lovers" by Vítězslav Novák, Janáček Philharmonic Ostrava, Marek Štilec was released on April 28, 2023. With this song being about 5 minutes long, at 4:30, "Moravian-Slovak Suite, Op. 32 (version for orchestra): III. The Lovers" by Vítězslav Novák, Janáček Philharmonic Ostrava, Marek Štilec is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Novák: Orchestral Works, Vol. 2". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Moravian-Slovak Suite, Op. 32 (version for orchestra): III. The Lovers's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Moravian-Slovak Suite, Op. 32 (version for orchestra): III. The Lovers by Vítězslav Novák, Janáček Philharmonic Ostrava, Marek Štilec having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet N 20 Mov 1 Mazurka Version 2 | Luca Schettino | C Minor | 2 | 5A | 150 BPM | ||
Dr. Merryheart: IX. The Dance Of Merryheart - Merryhearts Tanz | RTÉ National Symphony Orchestra, Havergal Brian | C Major | 3 | 8B | 104 BPM | ||
Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo. Adagio | Sergei Rachmaninoff, Michael Korstick, Janacek Philharmonic Orchestra, Dmitry Liss | F Major | 1 | 7B | 81 BPM | ||
Melancholy Songs about Love, Op. 38: No. 2, Love is Like a Star. Lento doloroso | Vítězslav Novák, Jana Tetourova, Prague Philharmonia, Jiří Bělohlávek | C Major | 0 | 8B | 169 BPM | ||
Variation 3: I. Andante Lunara | Matthew Slater, London Metropolitan Orchestra | E♭ Major | 2 | 5B | 71 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: III. Allegro maestoso II | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | B♭ Major | 1 | 6B | 137 BPM | ||
Vaughan Williams: 5 Variants of "Dives and Lazarus": Variant III | Ralph Vaughan Williams, Vernon Handley, London Philharmonic Orchestra | G Major | 1 | 9B | 136 BPM | ||
Orchestral Suite No. 2, Op. 11: III. Kehtolaulu. Andante semplice | Helvi Leiviskä, Dalia Stasevska, Sinfonia Lahti | A Minor | 0 | 8A | 85 BPM | ||
Beecham & Handel: The Gods Go a'Begging: I. Introduction (After Admeto, HWV 22) | George Frideric Handel, Sir Thomas Beecham, Royal Philharmonic Orchestra | C Minor | 0 | 5A | 78 BPM | ||
Madama Butterfly, SC 74, Act I: Ancora un passo or via | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | F♯ Major | 1 | 2B | 81 BPM |
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