Ralph Vaughan Williams, Vernon Handley, London Philharmonic Orchestra made "Vaughan Williams: 5 Variants of "Dives and Lazarus": Variant III" available on November 25, 2022. With Vaughan Williams: 5 Variants of "Dives and Lazarus": Variant III being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vaughan Williams: The Lark Ascending, Five Variants of Dives and Lazarus, The Wasps & Prelude and Fugue by Ralph Vaughan Williams, London Philharmonic Orchestra, Vernon Handley. The song's track number on the album is #4 out of 14 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Vaughan Williams: 5 Variants of "Dives and Lazarus": Variant III's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Vaughan Williams: 5 Variants of "Dives and Lazarus": Variant III by Ralph Vaughan Williams, Vernon Handley, London Philharmonic Orchestra has a tempo of 136 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Vaughan Williams: 5 Variants of "Dives and Lazarus": Variant III being at 136 BPM, the half-time would be 68 BPM with a double-time of 272 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Prague Carnival. Introduction and Polonaise | Bedřich Smetana, Prague Symphony Orchestra, Tomáš Brauner | A Major | 3 | 11B | 69 BPM | ||
Egmont, Op. 84: Overture in F Minor | Ludwig van Beethoven, David Parry, London Philharmonic Orchestra | F Minor | 2 | 4A | 178 BPM | ||
Respighi: Trittico botticelliano: I. La Primavera | Ottorino Respighi, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 137 BPM | ||
Phantasy Quintet: III. Alla Sarabanda: Lento | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E♭ Minor | 10 | 2A | 123 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Introduction - Variation I. L'istesso tempo "C.A.E." | Edward Elgar, Sir John Barbirolli, Philharmonia Orchestra | G Minor | 1 | 6A | 62 BPM | ||
Hassan, DCW 8, Act 5 Scene 2: Prelude to the last scene. With flowing movement | Frederick Delius, Britten Sinfonia Voices, Britten Sinfonia, Jamie Phillips | C Major | 0 | 8B | 84 BPM | ||
The Bragger | Christian Lindberg, Símon Bolívar Symphony Orchestra | B♭ Major | 8 | 6B | 133 BPM | ||
Legend of Zelda: Suite | Koji Kondo, Andrew Skeet, London Philharmonic Orchestra | G Minor | 4 | 6A | 108 BPM | ||
Violin Concerto No. 1 in D Major: II. Andante | Florence Beatrice Price, Randall Goosby, Philadelphia Orchestra, Yannick Nézet-Séguin | C Major | 2 | 8B | 85 BPM | ||
Violin Romance No. 1 In G Major, Op. 40 | Ludwig van Beethoven, Pinchas Zukerman, London Philharmonic Orchestra, Daniel Barenboim | G Major | 0 | 9B | 126 BPM |
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